#did i need to actually draw some version of myself for this
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isbergillustration · 7 months ago
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I got covid for the first time and I'm being so brave and un-dramatic about it
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istherewifiinhell · 2 years ago
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must go back to my roots (i mean their new roots but whatever)
[idw 2012 annual Eastman]
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[ID from alt: A domestic scene of the turtles [Leo, Mike and Don only], in their home with Splinter. The TV is on what might be a cooking show, Splinter faces away from it looking over his family. One turtle faces the TV lifting weights, one is asleep on the couch and one is painting a small figurine in the foreground. END ID]
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snekdood · 8 months ago
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bitches prolly out here psychoanalyzing my old art on behalf of my abuser to cushion their belief that im a Horrible Person but then dont see the irony when I point out the shitty things my abuser has drawn and how I see it as clear evidence of their mindset and beliefs (of what's okay to do and how to treat people) descending and pairing that along with everything else they've done and it paints a clear picture of how this person got to the point of thinking it was okay to abuse me the way they did and then the people looking for reasons to hate me through my art will act like "they're just drawings !!!" about their art. which one is it. does someones art say something about them or not? or does it only say something about them if you hate them?
#personally I think me making fun of a douchey type of dude is less bad than drawing 'rape is fun' but yknow#ig I can just weigh the gravity of how bad each thing is accurately idk#vent#'yeah but you started to identify with the douche bag character !!' well- even before i realized I wanted to be him- the plot was#already that he was going to grow out of being a dick. him and mj were going to help eachother realize their flaws and become better#to eachother and everyone else. so by the time i DID realize I wanted to be a guy I already had in mind the mature version of him#floating around but I didn't really post about it bc I didn't want to spoil anything at the time#and it took me a LONG TIME to accept that I wanted to be snake. I was trans before that. and then when I was close to accepting it#I had that whole 'lsd' thing that made me slink back into my shell bc the people I was around made me feel like I would never be a guy#so instead I figured if I couldn't be snake then the next best thing was to be *with* him and started to self ship myself w him and he#evolved even more into an even more mature version of him that by the time I got out on the other side of feeling like I couldn't#be a guy I had this more serious and mature version of him in my mind and started to accept that I wanted to be him and basically was him#and just didn't know bc that version of snake was more like me than the one I made in 2013/14#in 2013/14 I was only ever considering my comic in the context of some sort of comedy and just wanted to make a douchey character#to make fun of bc I had a lot of douchey people in my life who I felt like needed to be knocked down a peg and I figured the best way#to do that was to make an example out of them via the old version of snake and have him be an overly confident asshole whos hubris#often gets himself humbled even if hes too prideful to accept or admit it#at this point in time I didn't really see much of myself in any of my ocs. maybe a lil bit in mj and (mostly)peaches bc I didn't know it wa#ok to id with a guy... but even when I did subconsciously id with him here n there...i didnt relate to snakes douchey-ness like at all.#sometimes I jokingly act like a douche but again its for the same reason that I made snake a douche back then in the first place-#to make fun of people like that- to hopefully show them how foolish they are by me mirroring them or. alternatively. making people#laugh at me acting that way because pretending to act like a douche is easier to enjoy and laugh at than dealing w an actual douche#i'd do it with my ex-bestfriend all the time- I made snake such a dick because we'd laugh about it together and bc we wanted to make#fun of the dicks around us who lacked any self awareness and if not that any actual fuck about how lame and shitty they come off#what can I say. it's fun to mock people sometimes.#when I actually started to accept it my first pic I drew of him being obviously trans was in 2016... soo a couple months before I remet#my abuser...#which honestly explains why that whole relationship was so rough on me. I had just finally accepted myself and then this person comes#along and tries to smear me and gaslight me into thinking im Horrible for who I am. like. hello???????#my first time fully being myself was with them and their friend group and they all accepted me until their cult leader told them not to
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iraprince · 9 months ago
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gonna show u guys a little opalescent highlight hack i threw together today
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rainbow gradient above your main figure (i usually have all my main figure folders/layers in one big folder, so i can clip gradient maps + adjustments to it!). liquify tool to push the colors around a bit. STAY WITH ME I KNOW IT LOOKS STUPID RN I'M GOING SOMEWHERE WITH THIS
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THEN: set it to add/glow (or the equivalent in ur drawing program), lower the opacity a bit, and apply a layer mask. then u can edit the mask with whatever tools you like to create rainbow highlights!!
in this case i'm mostly using the lasso fill tool to chip out little facets, but i've also done some soft airbrushing to bring in larger rainbow swirls in some areas. it's pretty subtle here, but you can see it better when i remove the gradient map that's above everything, since below i'm working in greyscale:
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more granular rambling beneath the cut!
u could also just do this with a brush that has color jitter, but what i like about using layer masks for highlight/shading layers is how simple and reversible it makes everything. i can use whatever brushes i want, and erasing/redoing things is super low stakes, which is great when i often approach this stuff with a super trial-and-error approach.
example: have u ever thrown a gradient w multiple colors over an entire piece, set it to multiply etc, and then tried to erase it away to carve out shadows/highlights? it's super frustrating, bc it looks really good, but if u erase something and then change ur mind later, u basically would have to like. recreate the gradient in the area u want to cover up again. that's how i used to do things before figuring out layer masks!! but masking basically creates a version of this with INFINITE undo bc u can erase/re-place the base layer whenever u want.
anyway, back to rambling about this specific method:
i actually have TWO of these layers on this piece (one with the liquified swirls shown above, and another that's just a normal concentric circle gradient with much broader stripes) so i can vary the highlights easily as needed.
since i've basically hidden the rainbow pattern from myself, the colors in each brushstroke i make will kind of be a surprise, which isn't always great -- but easily fixable! for example, if i carve out a highlight and it turns out the rainbow pattern in that area is way too stripey, i can just switch from editing the mask to editing the main layer and blur that spot a bit.
also, this isn't a full explanation of the overall transparency effect in these screencaps! there's other layer stuff happening below the rainbow highlights, but the short version is i have all this character's body parts in different folders, each with their own lineart and background fill, and then the fill opacity is lowered and there's multiply layers clipped to that -- blah blah it's a whole thing. maybe i'll have a whole rundown on this on patreon later. uhhh i think that's it tho! i hope u get something useful out of this extremely specific thing i did lmao
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nichuuu · 1 month ago
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Paper Houses
Cho Miyeon x M reader
(1st instalment of The View Between Villages)
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Word Count: 18k+ Special thanks to @defmaybe for helping to draw out the best version of this fic.
(All the details? Really? Oh wow. Okay…)
(I’m gonna dissociate myself from this so… “you” is gonna appear a lot. Don’t sweat it cupcake—you’re not actually the one in this mess. 
It’s just a bad habit of mine, that’s all.)
--
(You’re lucky. You get the sweet start to it all. For what it’s worth: sweetness is a fucking deceiving concept when you have rose-tinted lenses.)
“You know: out of all the men I’ve dated, you cook the best.”
You raise an eyebrow as you flip the grilled cheese in your skillet. Frankly, there’s nothing to be impressed about over grilled cheese and tomato soup. Cheese sandwiched between two evenly buttered slices of bread, grilled till golden brown and served with a side of hot tomato juice in a bowl. Literally everything has been prepared for you and packed neatly into some package in a grocery store. All you did was heat it up and add a few of your own ingredients.
“Is that a compliment or a flex?” you ask, turning your gaze away from your skillet momentarily to look at Miyeon as she replies. Her face isn’t gonna add value to her answer, but you just like looking at her. She is hot after all. 
She scoffs and takes a sip of her coffee. “Jeez… Can’t a woman compliment her boyfriend in peace?”
You’ve had this conversation before, but you like to entertain her.
“This woman can’t,” you tell her, making sure she can see the smirk on your face as you turn back to the sandwich. You wave your spatula in the air as you speak, almost like you’re referring to PowerPoint slides. “She’s too weird about everything. Never take her seriously.”
“Oh, so we’re just gonna call me weird and neglect the fact you keep your butter in that?” she exclaims, pointing at the butter bell on top of your fridge. It was a Christmas gift from your mom last year, and even though you did think it was weird at first, you have not gone back to keeping your butter in blocks. 
“You keep my fucking butter bell out of this,” you warn, and it’s half joking and half serious. 
(No one fucks with your butter bell.)
Miyeon chortles. You don’t need to look at her to know that she’s raising her hands in the air when she says, “jeez man. Didn’t know you guys were tight like that…”
And it’s stupid exchanges like this that make you appreciate her company by bounds. It’s lonely in the apartment when she’s out being famous; really nice to have her around for the holidays, albeit for a short time. It’s been a while since she’s been back. There’s much to catch up on over an 11 am brunch. You don’t know why she’s up so damn early today, cause normally you guys sleep till the late afternoon, then go figure out what to eat for dinner before lazing around in the apartment.
So with cheese falling from the corner of her lip, she gives you the latest developments in her life. Then it’s your turn, and you're glad to say that nothing’s really of interest in either of your updates. That’s usually for the better: sometimes the news you give each other can be a little heart-attack-inducing, so it’s better that your lives are pretty bland.
“You know,” she says as she wipes her mouth. “I might just keep dating you for your food,” she tosses her tissue onto the dining table and lets out a sigh. “Fucking delicious.”
You scoff and sip on your coffee. “Bet you told that to all the guys,” you reply wryly. “Probably gets them real excited, huh?”
She grins. It’s cheeky, mischievous, maybe even a little naughty. “Not telling.”
“You don’t tell me a lot of things,” you chuckle, and you’re low-key unsurprised to hear a little bit of unintended bitterness in your voice. “Not that it matters or anything… I just value communication.”
Oh, you’re petty. So fucking petty that it makes your skin crawl a little.
Miyeon’s unfazed. 
“Don’t get your tits in a tussle, pretty boy,” she muses. She folds her arms and leans into the table. “You’ll know more when I trust you more. For now: I’ll give you information as I please.”
And you kick yourself because you forget she can be a bit of a handful herself.
“Ugh, what will I ever do with this mysterious woman?” you smirk, resting your elbow against the table as you lean in as well. To be perfectly clear: you’re not mad at her. Her secrecy just bugs you out a little, and she knows it. “Such little knowledge on such a hardened beauty… must be tough to really crack her open and figure her out.”
You love her eyes, and you love to make them roll (in multiple contexts). They kinda gleam as she tilts her head. “Fine… I’ll give you something since you’re so damn desperate,” she drums her fingers against her cheek while her chin nestles itself into her palm. “What I’m about to give you is gonna change your life in so many ways. It’ll probably redefine your whole damn existence.”
You express your interest by leaning in a little more. Miyeon checks her six—like she isn’t in the comfort of her own home—before leaning in. She’s all clandestine. You have no idea what for. 
“You ready?” she checks. And you know she isn’t expecting an answer, but you nod nonetheless. She checks her left and right for good measure. You never know: maybe your lamp is listening.
“I’m aching for cock right now.”
And you guys don’t even make it to the couch.
It’s on the floor next to your table where she has your face in her hands, and she’s kissing you aggressively. She’s properly kissing you, and it makes you knock the back of your head against the floor a little, but it’s really not too big of a deal. 
She lifts her lips off yours and smirks. “For the record: it’s your fault that we aren’t fucking on the couch.”
“Yeah, and I actually paid rent early for once,” you shoot back sarcastically. “And would you mind helping me clean the yacht I most definitely own on my luxurious salary? Thanks a bunch, honey.”
She scoffs and rolls her eyes. She knows you’re full of shit, but she’s full of the same shit as you. Form a shit pile or something, maybe even a shit mountain if you feel like it. You could really go on for a while about how you two can talk for hours, but that’s not the main event.
The real deal comes when she has her hand beneath the waistband of your pants, slithering down to the very thing she aches for. She has that smile on her face, the one that kinda says “Oh I’m gonna love this” or “you’re gonna love this” or maybe even both. There are ways to distinguish the messages by looking at her eyes, but you’re a little too lazy to go figure it out right now. And before someone calls you a bum, you can’t help it: she has her hand on your cock and a piercing gaze trained on you. How about you try and focus on discerning implicit messages when there's a hot woman touching you in the right places?
“How are you hard already?” she asks, a hint of a giggle in her tone as she presses your shaft against your body. There’s barely any space down there, yet she makes it work so easily. “I didn’t even, like, do anything yet.”
“Well,” you hum, just as she starts to squeeze your member, appling that toe-curling pressure to your tip and smiling as you strain a little. “I can kinda see your tits through your shirt.”
Miyeon raises her eyebrows. She doesn’t even look at her shirt. “Oh?” and she starts to pump. “I didn’t notice that…”
“Totally,” you grunt. “Like how you don’t notice that your shorts are barely shorts?” you continue, but there’s something more bugging you. “And at least pull my pants down if you’re gonna jack me off, would you?”
Miyeon snorts, but compiles nonetheless. She gets your pants and boxers off with ease. It’s one swift motion (it’s practiced grace really), and she gets back to the task at hand before she was so rudely interrupted. 
“What does seeing my tits have anything to do with you?” Her motions are languid and fluid, steady and flowing like a stream. She doesn’t need to look. She doesn't need to guess. She knows you like the back of her hand. “Does it turn you on? Excite you?”
You have it in you to roll your eyes before they shut. “Stop asking these fucking ridiculous questions.”
“It's a basic inquiry.” She laughs in this aloof tone that you know is paired with the most devious of smiles. “So you won’t let me compliment you and you won’t let me ask questions? Tsk. Chivalry is dead.”
Miyeon goes a little faster, adds a twist of her wrist. This is just her hand, mind you, and it’s already ruining you in a way that only she is capable of. The tender touch of Cho Miyeon is something no woman you’ve met could ever replicate, and it takes you to places that you can only visit with her. Those fingers are magic, that mouth is magic—hell, everything about her is magic. 
“Please,” you manage to quip past the jolts of magic being sent through your system. “We both know that you have the answers to all the questions you just asked.”
She giggles—playfully, you might add. This is all a part of the game you play with her; this is the way Miyeon’s cookie crumbles. “Maybe I do, maybe I don’t. Who cares?”
You care: not a lot, but enough to make this as humorous as you want it to be. You kinda only give two shits because it lets you be kinda petty with her, but not that you externalise it or anything. You just have it pent up in you for the fun of it.
“Anyway,” she muses, halting the strokes of her hand to your cock. “Have I told you about how much I wanted you to fill me while I was filming?”
You take a moment to breathe. “No… But do tell.”
And gets to that, but not before ridding herself of her shirt first. By technicality, it’s your shirt, but it shrunk in the dryer at some point, so it just became hers. She gets into the details, the nitty gritty; tells you exactly what she’s imagining during the filming of her Music Video all while you kind just sit there and ogle at her chest. She takes her time, covers the stuff that you don’t really need to know but it’s kinda hot to know — things like “ugh, I needed you to bend me over the hood of that car and just fuck me at that point…” — because you admittedly get off knowing that she ever thinks about you that way and… God, you’re rambling aren’t you? Still pretty fitting though: it’s the way Miyeon talks when she’s thinking nonsense.
“Ugh. Now I’m wet,” she mutters. She speaks as if it’s your fault that she went on rambling about her fantasies with you. “You know you make me like, really horny right?”
“Oh no… Whatever will I do?” you’re really just rolling with it. Not because you want to, but because you want to get this bit where you tease each other over and done with. It’s kinda like marinating meat in the way it makes the sex a little hotter. Truthfully: you’re aching for her. Really: you want nothing more than to just get her pinned beneath you and writhing on your wooden floor. 
And frankly? You could do all of that right now.
So it’s with a bit of grace (and some dexterity) that you flip the positions: now you’re kneeling over her while she is the one that lies on the floor, if that makes any sense. Miyeon isn’t shocked by your sudden movements, more so delighted by the fact that you finally gave in to your carnal urges and just went for it. She smiles, knowing full well that she’s done something that's gonna give her that fuel she needs for the week. You know: sex that’s the opposite of soft; some shit that fulfills some wild thoughts. 
“Gotta say, you’re quicker than usual,” she has that cocky smirk on her face. You wanna wipe it right off her face, and you know just how. “Normally you’re all talk, no– Oh…”
You like that it really only takes a finger pressed against her panties to shut her up. It’s not much, but it’s enough to make her shut her eyes and shut up for a moment. The spot you press on is damp, soaked in that sweet slick. Gently, you trace the outline of those swollen folds. “You were saying?”
She has it in her to laugh—a breathy chortle. “Fuck you.”
“I’m working on that,” you fire back. Your cock twitches a little when you see her jolt in response to your touch. Your finger pressed down on that one spot that makes her weak, and it really works wonders: an airy gasp slips past those thin, luscious lips. The number of times you’ve kissed those lips swollen is not a number countable with 10 fingers.
Miyeon sighs, and it’s a mix of pleasure and frustration in her breath that humors you. She relaxes into the floorboards, her hips rock, her cunt rubs against your fingers. She's searching for some friction — sweet release in lewd movements. You let her move for a bit, watch her shake like the bough of a willow tree as she pleases herself against your fingers. 
“Enjoying yourself?” you quip. 
“Yeah..” she hums. “Passing time while you’re still not taking these shorts off me.”
Of course… How could you be so forgetful?
You stop for a moment to help her wriggle out of her clothing. It isn’t one of her most graceful moments, but it quickly passes. The shorts join your pants on the floor. Her panties are pink — not that subtle shade of pink or even like a darker version of pink. It’s Barbie fucking Pink.
“So we’re feeling loud today, huh?” you ask, letting your finger trail the lacy parts of the fabric. Miyeon smiles.
“Sana gave them to me,” she explains, not the least bit sheepish that her damp spot is visibly darker than the rest of her underwear. “Hope this doesn’t affect you in your work or anything…”
You feel the corner of your lip turn up. “No, no… Of course not,” you assure her, all while you let your hand slip between the fabric and her skin. You can feel her shudder, then you feel the heat of her cunt at the tip of your fingers. “You caught me on the right day actually… Pink’s in my rotation of favourite colours this fine morning.”
“Right,” her voice has a lilt. It’s shuddering a little too. “I knew that… Definitely had that in mind.”
You laugh. Your index fingers slip between her folds. She moans. 
You lower yourself, capture a swollen, taut nipple in your mouth. The sweet suction you deliver makes her gasp. Her hand finds itself in your head.
It’s all quite rhythmical, almost like a routine for the two of you. The way your bodies react to each other feels so natural that you think it might just be second nature at this point. You know her body: you’ve memorised the dips and curves and tender spots; the hot spots, the warm parts and the best parts. She knows you—the way you think, the way you talk; the way you play with her and the things you want to do with her. It would be safe to say that you guys practically have PhDs in the subject of each other, but that’s not a fair statement because you’re both a little more complicated than you let on. That keeps the sex exciting; it makes you crave each other a little more than last time. 
“One or two?” you whisper, letting your finger dip in and out of her lips and getting it all wet in her slickness. She takes a moment to think, or maybe she’s taking a moment to really soak in the teasing. Either way: she takes some time to reply. 
“Two,” she shifts herself a little lower, her clit pressing into the base of your middle finger. It makes her sigh — a low, kinda sonorous escape of air through her lips. “I hope you trimmed your nails this time.”
“That last time was a minor mishap,” you admit. You kinda want to pull your hands out to double-check, but you’re too mired in the moment to assuage your worries. “Don’t worry. I’ve got it all under control.”
She beams like the damn sun. “Good. I like it when you’ve got the reins.”
And that makes you suck in some air through your teeth. 
(God, does she know how to try you on.)
Your digits push themselves inside of her. They’re wrapped in her tight warmth, snug as a bug in a rug or whatever. You love the way her abs kinda flex as your fingers introduce themselves to her insides. It makes the best parts of her pop. Her chest rises a little more than the last time, her breaths becoming a little longer and more drawn out as your fingers explore her like always. The way she jolts when you get to that one spot at the roof of her pussy tells you that she has been primed and ready for this moment, loaded up like a shotgun and the trigger is really just any part of you that makes her cum. It could be your fingers, your tongue, your dick, your thigh—any part of you that can get her to that sweet high. Of course: you’re more than happy to assist. And so your mouth latches itself back onto her breast, tongue licking and swishing and flicking the swollen nipple atop her small yet generously sized breast. You relish the way it feels in your hand as you cup it—not too firmly and not too gently—and give it a squeeze, enjoying how the flesh spills out a little between your fingers but still fits in the palm of your hand.
“How do you only get better at this?” she hisses through her teeth. “I mean, I just saw you last week but… Oh god…”
You remove her nipple from your mouth. “Art is honed. This is art.”
She laughs, then throws her head back to let out a moan. “Well I’ll be damned,” her eyes close as she speaks, resting themselves for a bit so that she can enjoy the feel of your fingers in the best part of her slick. “Paint me like one of your French girls then.”
And you kinda have to kiss her after that. It’s a good line… and she’s, like, smoking hot right now.
You can’t track the exact moments where she starts to blue screen on you, but you can guess it's somewhere between you pinching her nipple and when you slide a third finger into her. The pressure, the stretching—it’s, like, everything she wants as of right now. She lets out this choked-up cry that you like to hear, the supple curve of her back growing more defined as she arches just a little more. She doesn't hold back, she never does. When you’re making her feel good, you can bet some good money that she’ll let you know. She’ll find her own way to express herself, be it through sound or action or words—sometimes a combination of all three. 
The way she feels around your fingers—delicate squeezing and sweet pressure around your digits as they stretch her to new lengths—is nothing short of enthralling. You can feel her pulse around you, the dull throb of her heartbeat as it beats for the sole purpose of getting all that blood rushing into the right areas. Your hand is kinda messy, fingers coated down to your knuckles in the sweet substance from her heat. Miyeon starts to writhe, squirm. A whine leaves her mouth. It’s followed by another, and another, and another—keeps going till the whiny stream ends with a guttural moan. 
Her legs close around your wrist. Her throat bobs.
“Mmph… baby…” her hand flails a bit as she tries to search for you. She catches your shoulder and her nails dig in. “Your mouth… I want your mouth on me.”
You always loved how forthcoming she is. 
“Miyeon…” you drawl, and this next bit is really just for the fun of it. “What’s the magic word?”
She laughs softly through the pleasure, lets a smile grace your eyes. She doesn’t fight it; she wants it—wants you. She just wants you in any shape or form. Any version of you will do; she’ll take all the different sides of you in a heartbeat. All she needs is you. “Please.”
You’ve never found so much delight in hearing that word. Kinda makes you want to hear it again.
“I can’t hear you,” your thumb presses down onto her clit. Her thighs start to twitch. 
“Please!” she yells that magic word in the form of a shout this time. Your cheeks hurt from how widely you’re beaming.
You retract your fingers. They come up to your mouth so you can taste her off of them. She’s nothing short of delicious, and you can kinda tell that she knows it because she’s smirking as she watches you clean off yourself.
“How are we feeling about the samples?” she has that proud gleam in her eye. “Pineapple’s been in my diet as of late… Just wondering if anything’s different.”
You smack your lips. “Picking up on a little tang here… Can’t be sure though.”
Her hands slide down to her hips, thumbs hooking into the band of her panties and pulling them down her thighs. “No worries. There’s more where it came from.”
The gall of this girl is insane, you’re thinking, smirking as you assist the journey of her underwear down her slim, milky legs. Like all your other clothing, it’s tossed aside. 
Miyeon spreads thighs, bends her knees so that her feet are flat on the floor.  You get in position, let your palms slide down her body with careful consideration: run your hands over the sensitive parts of the stomach, skim that one portion of her inner thigh that makes her shiver. She watches—waiting and anticipating while failing to keep her excitement off her face. 
She is glistening, swollen and plump to your eyes, kinda far ahead considering that you just used your fingers. She’s eager, unashamed and more proud than embarrassed about her arousal. Her legs shift a bit. She looks at you, a fingernail between her teeth as she exhales sharply when your thumb traces the outline of her pussy, careful in its endeavor as you feel the muscles around her slick tense up in response. Oh she’s so damn impatient right now, but she lets you get away with all of this because it gets her off a little harder; the teasing is just part of the show and the climax will probably follow pretty soon, fast and hard
“You’ve been looking forward to this, huh?” you remark, watching as her eyelids flutter when you put a little pressure with the pad of your thumb. 
“Mhm…” she replies. It’s a low hum, one that resonates in her throat rather pleasantly. “You have no idea…”
You laugh. Your eyes roll towards the ceiling then set themselves back on her. “Please… We both know I have some idea,” you stop your thumb on her clit, and you begin to draw small circles around it. “You did tell me” —and you have to pause for a bit to use your other hand to press down on her pelvic area, stopping her from jolting her hips up to get that sweet sensation of your thumb rubbing her swollen nub. She whines a little, a soft plea following suit— “about all the things you wanted to do with me.”
She desperately tries to shift herself, press herself a little more against you. The smooth wooden floor hinders her, the lack of friction failing to aid her. Her brows furrow. She’s frustrated. “Yeah, well, if you know what I want so much, why aren’t you fucking getting to it?”
You wink. “Relax. I’m just letting the meat tenderise.”
“Oh shut it you fucking—  Mmmph!”
And the way you part her with your tongue, it’s like she’s butter and you’re a hot knife slicing her open. You're slow with it, and you don’t stop when Miyeon’s thigh stiffens against your palm, or when she squirms a little and almost got your tongue derailed from its track. You know what makes her tick, what makes her hit the octave and gets her nice and messy for you. If anything gets Miyeon going more than actually fucking—it’s definitely gotta be when you get your tongue on her folds. 
“You’re never gonna let me finish my sentences, are you?” she laughs breathily. You watch her abdomen as it rises and falls together with the quick breaths she takes.
“Dunno…” you nuzzle your face in her folds for a little, giving her time to say whatever she wants for a bit. “You did say that chivalry is dead.”
From your bottom up view of her, you can tell that she just rolled her eyes. “No comment. You won’t let my finish it any— oh my fucking god.”
Now it’s the flat of your tongue against her clit that stops her dead in her tracks. Her juices have begun to lather your tongue in their addictive taste, drawing you into her just a little more with each lap of your tongue. You suck on one of her folds, then your tongue is inside her, and she moans, her hand finding a spot on the back of your head that she can grip on to. She calls you crazy, calls you baby, runs her fingers through your hair. Your tongue dips in, circles, laps; your nose brushes against all the right spots of her skin and it draws out these almost sob-like, quiet sounds from her chest and she’s… Fuck, she’s amazing.
“I might take a while,” she whispers to you. You call malarkey, but play along nonetheless.
“Fuck yes,” your tongue swipes the entirety of her in a long, broad stroke. “Please, by all means princess. Take your time,” you don’t think you could ever sound as enthusiastic as you did right now. She pushes you down a little harder onto her slit, and you delight in how she squirms when you push your tongue a little deeper between her folds.
Her nails start to dig into your scalp a bit, and she starts pushing you down onto her cunt a little more.
“You know,” she speaks with this half-whisper-half-gasp, the type of tone that tells you that she’s fighting to stay in control of her own body. “I— mmph… Sometimes I lock myself in the changing room and just get off to the thought of you eating me.”
You suck on the other fold that you neglected earlier. “Oh yeah?” and you get a finger inside of her. She cries out, abdomen flexing deliciously as she turns pliant under the pressure of your finger getting a hold of that sweet spot. You can feel the heat—it feels like your skin is gonna melt. “Bet you get off real hard to it, maybe even harder than you will in like, two minutes.”
“Two?” she tries to sound a little defiant, but her voice is cracking and it’s really not working out in her favour. Your finger is barely pushing up by the way, yet it seems like she’s got thousands of pascals of pleasure weighing down on every part of her being. “Don’t put yourself on a fucking pedestal… I am nowhere close.”
You hum in reply, saving your energy to suck on her clit. And it’s almost like she’s spring-loaded in the way her thighs clamp around your ears immediately after. Her fingers eat into your scalp, a light, searing pain growing across your head as you kiss her right fold, then her left. You can tell that there’s liquid burning heat running through her body, spilling all over her. Miyeon tries to hold on, tries to prolong this for a little more by getting her nails deep in your scalp. But she’s falling apart, coming undone with each second.
“Baby.”
“One minute left,” you put your lips back around her clit. Her head thumps against the floorboards.
“I—can’t.”
“Ugh. Hate it when you lie.”
“I’m sorry—”
“Just fucking cum.”
And she ruins herself. She loses sense of the world for a bit—convulsing and twitching on the floor while you continue to lick her. No cry leaves her mouth; a strained, choked up phonic gets caught in her throat and refuses to dislodge. Her back arches, her thighs flex. Her world fades for a bit. 
Give or take: she takes a minute or so. When she gasps for air, you know she’s come back down to earth. You welcome her with a kiss to her abdomen as you rise up. Her cheeks are rubicund—flushed and making her glow as she smiles at you. She softly captures your cheeks in her hands.
“Okay,” she huffs, taking deep breaths as she strokes your face with her thumb. “Out of all the men I’ve dated: you can cook and eat the best.”
“Twenty dollars says that you’ve said that to at least four guys,” you muse. “Maybe five if I’m generous.”
She closes her eyes for a moment. Inhales. Exhales.
“Hand on my heart,” she uses one hand to push some hair out of her face. “I’ve only said this to you.”
Ignorance is bliss. Believing her is a sort of ignorance.
You willfully let yourself be blissful because you can.
--
(Then fast forward a little. Maybe like, three hours? Or however long it takes for you to have a nap and a shower to get ready to go out.)
“Are you seriously going out in that?”
And you have to stop at the door. You know that tone all too well.
“What is it this time?” you grumble, turning around to face the bed so that she can get a full biopsy of your outfit. It isn’t a bad outfit in your honest opinion, and you’re no stranger to horrible (unintentional) attempts at making fashion statements. Colour-blindness is a hereditary curse; it’s not your fault that you can’t tell that this shade of blue doesn’t work with that shade of grey and whatnot. “I swear I wore this a week ago and you said nothing.”
Miyeon slips out from under the covers. In your T-shirt, she saunters with purpose and urgency as she makes her way over. She stops in front of you and takes your tie into her hands. “It’s either you lose this tie or do something else to this already god-forsaken outfit.”
You consider the options for a hot minute. You’re kinda proud of this outfit—it took a lot of time and vetting through Miyeon to get it planned out and everything. The tie was kind of a staple piece—as important as the shirt or trousers. To hear that (in essence) you looked like shit admittedly dealt a blow to your ego, but why be petty when you can be cavalier?
“Whatever,” you reply, making no effort to stop her from trailing a nail up your shirt. “I couldn’t really care less about how this woman perceives me tonight. Not even into her anyway.”
Miyeon chuckles. The finger on your chest wraps itself around the top of your tie. “That’s an option as well,” she adjusts the knot, though it doesn’t look like she’s doing it to make you look better. “But can I give you one more alternative?”
“By all means, princess.”
She tugs on your tie, pulls you close. Your lips are just centimetres away from hers. You get a whiff of her scent. She’s using the shampoo you bought her. 
“Stay home,” she makes sure that her voice is kinda breathy, tickles your face as she lets the phonics dissipate into warm air. “Skip the date. You have a smoking hot girlfriend to fuck anyway.”
Oh and it takes you just about everything to stop you from grabbing her by the face and just kissing her. It's so easy: reach forward, get her face (or waist) in your hands and just smash her lips against yours. You know she’s thinking the same thing; but she’s waiting on you, anticipating what you’re going to do next. It’s a sick little game the two of you play, but it’s fun as hell and really doesn’t get boring in the near future.
“You know what my mom would say…” you begin, and you know she’s gonna stop you.
“Say you're sick”—bingo motherfuckers. She owes you five bucks—“tell her that you got the cold and so you can’t show up.”
“Expended on that one… And the work emergency one too,” you regretfully inform her. “And no: I will not be telling them that we’re actually a thing—“
“Cause you want to protect me and blah blah…” she interjects yet again, her fingers moving up and down, closing against her thumb in mimicry of a mouth moving. It’s petty, kinda frustrating—but it’s Miyeon. She’s a handful to deal with at times, but at least she’s your handful to deal with. “Been running the same jig for a little too long, tiger. I know your game.”
“I know,” you admit. “I’m a one-trick Pony and my carrot is you. What’s new?”
She chortles at that, and you take that moment to really get a good look at her because by god is she beautiful. Head-turner, eye-widener, heart-racer — not to be a bore, but again: it’s Miyeon. There’s a lot more about her that you could synthesize into words, but you won’t (not because you don’t want to or anything; but it’s more about the fact that you probably don’t have enough time to get someone to understand her.)
Cause here’s the thing (about her, you and both of you): she’s just as human as anyone, and that means she’s just about as complicated as anyone. You’ve got a story, she’s got her’s, and the two cross somewhere to form a midpoint before they start running parallel to each other before meeting again and running together and… You get it, don’t you?
No? Fuck. 
Okay. She may or may not be able to hold down a relationship; and you may or may not have been able to secure a relationship. You kinda get drunk with her over this revelation one night and you may or may not have joked over the fact that maybe you should get together. And then you may or may not have had the hottest sex you’ve had in years before you may or may not have realised that she’s the best thing to happen to you. It’s all kinda hypothetical to you cause you’re still processing the fact that this is all real. Still wondering if it’s a fling cause it’s only been about 3 months since this started.
(Calm down cupcake, no one likes a party pooper who prods on details in the midst of a story. It’s just… Ugh. The story behind how the two of you know each other is so boring and complicated—full of unnecessary exposition like this whole bit really. It hurts to retell it, so here’s a summary: she used to date your roommate, roommate moved out after they broke up, she stayed and hanged around you, here you are now. Fuck the details, there’s no room for it really. You can’t have your cake and eat it too.)
“Save the charisma,” she tells you, really putting on some breath behind her words. “I prefer it when you use it in bed.”
And you kinda have to kiss her after that. It’s a good line… and she’s, like, smoking hot right now.
The kiss kinda blurs the line between passionate and sweet (if there even was a line to begin with). It’s quite aggressive, a little tender but also a wee bit emotional. It makes you a little bitter, but don’t get it twisted: you love this girl with all your heart and you’d do anything to stay with her. It’s just that you’d love—more than anything—to lose the shirt and pants you’re wearing to make out with her, and then let things flow as they do. Unfortunately, your parents really want you to meet this girl, and you have to get going or you’ll probably get cut from the will or something.
She tries again. “Stay…”
“Miyeon—”
“I fucking need you… Please.”
It’s just so fucking tempting…. But there are only so many lines you can cross before you find yourself in trouble with border patrol. And if there's anything you hate more than lectures, it’s lectures from your mother.  
Her lips graze yours, hovering just millimeters away. She wants to kiss you—bite your lower lip and pull you into an undoubtedly sloppy lip lock. That will end with your hand somewhere on her body that gets the ball rolling (and we all know where that ball goes). She has it in her to do it; she has the right, the means and the fucking autonomy (and audacity). She’s just waiting on you, seeing what happens when she plants the seed of an idea in your head and waters it a little. 
Unfortunately for her, you’re too damn terrified of your parents to let that seed grow.
“I‘ll see you later,” you whisper, albeit a little reluctantly. “Call me if anything comes up.”
She understands that she’s lost. Doesn’t stop her from giving you that kiss though. “Don’t keep me waiting tonight… I love you.”
Ugh. She’s one hell of a woman, isn’t she?
--
So get this: this woman that your mother found for you is possibly the most boring person you’ll ever meet. She’s beautiful and all, but she has the personality that has just about the same amount of flavour as food in the west before spices.
She spends the meal talking about her job, and you kinda just fix her with a hundred yard stare and tune out. You couldn’t give a shit about computer security really—never was and never will be into that shit. It doesn’t help that your phone is kinda blowing up at the moment. It’s buzzing all over your thigh in your pocket. Pretty trippy, kinda makes you wonder if Miyeon had just slipped one of her vibrators into your pocket.
You excuse yourself to the bathroom at some point. You’re not sure how long she’s been yapping your ear off for, but it kinda doesn’t matter. All you’ve gotten from this meal is really just a handful of nonsense and a migraine. 
Anyway: it’s in the confines of the bathroom store that you check on the ruckus in your pocket. The screen lights up and you find that the spasming of your phone was caused by a combination of posts from a news outlet and from Miyeon. She takes precedence over the news.
Miyeon//8:01 pm: I swear to you I have no idea what’s going on 
Miyeon//8:01 pm: I’m getting this at the same time as you
Miyeon//8:02 pm: I don’t know what’s happening. Please come home.
And the way you open your news app almost instantly makes you feel like you’re all too familiar with this. It’s not a headline, but it might as well be from the way it makes your eyes widen and your breath stop for a second. 
You blink. You blink again. 
The words don’t change. 
Suddenly, you have a valid reason to get out of this dinner.
(How you get home is a little fuzzy, but that’s not really the important part. 
What? The headline? Oh you know it, don’t you cupcake? It was literally the only thing on people’s minds for some reason, as if an idol dating an actor is something unheard of.)
“What the fuck?” you ask when you step through your apartment door.
She sighs as you remove your coat and hang it behind your door. “Look… I’m just as confused as you are—”
“An actor?” you interject. You’ll admit that it’s a little rude, but you’re really just trying to make sense of this as fast as possible. “How long have you known this guy?”
“That’s the thing. I don’t,” she huffs. “I swear to you, hand on my heart and the other on the bible, I am not in love with that man.” She says. “I barely even know the fucker, never talked to him in my life.”
It’s a little hard to look at her right now. You have lots of things to say; lots of feelings and lots of thoughts. If you’re really gonna be honest with yourself: you’re scared, hurt and a little confused. Miyeon’s good at lying—a little too good for your liking. Pair that knowledge with your insecurities, and congrats: you’ve just given birth to multiple insecurities. They’re like little demons running amok in your chest. It’s suddenly hard to breathe.
You can’t do this with her now. Not when all this is all so fresh and new. 
But she catches your arm as you try to walk past her. Her grip is firm, pleading. 
“Please,” she utters, letting her hand slide down your arm to let her fingers wrap around your hand. “Trust me on this.”
You want to. You really want to. And so it hurts you to ask, “Am I just another fling?”
You can see it in her eyes when she realises the motivation behind the question. She doesn’t take long to come to the epiphany—just a little less than a second before her eyes soften and her lips part a little. Her expression scares you. You want to run from this all together and leave it to another day, but God knows that you won’t be getting any sleep with this weight in your head. It’s comical, almost hilarious if it weren’t for the fact that it’s your relationship with her on the line.
You like to think that she can’t express her answer into words, so she kisses you instead. You’ll never know why she chose to kiss you, but it's sweet and so powerful that you can kinda live with that gap in your knowledge. You may or may not have teared a little, and you may or may not have melted into her lips a little too quickly. What you can say for certain: when you find yourself back in those eyes, panting with your face between her hands—the words ‘I love you’ escape your mouth faster than you can think. You don’t say it for the sake of it; you say it cause you mean it. You want her to know that you’ll fight for this relationship, that you’ll fight for her.
And it makes her smile. 
“I’m like, in love with your goofy ass,” she mutters, thumb tracing a path along your cheek. “So don’t you ever think that I’d drop you for some slick-back fuck face.”
That’s more than enough for you. Her smile is contagious as you hold her waist. “Crude. I love you, Miyeon.”
“Yeah. I heard you the first tim—”
Of course: you don’t wait for a finished reply to kiss her. It’s a practice, almost a common tongue at this point.
Miyeon lets her hands fall, gets her arms around your neck while you reacquaint your lips with hers. She’s lovely, fucking divine and maybe even a little addictive—straight up dangerous if you’re to sum it up. You wonder, for a second, if you’re being manipulated, and it’s really only for a second because she’s got her teeth in your bottom lip and she’s dragging them towards her. She wants more—more of you and less of this need to prove her love. She touches your chest, palm flat against your flesh as she deepens the kiss. Ignorance is bliss. Believing her is a sort of ignorance. Kissing her deepens that ignorance, makes you all the more blissful.
“I need you,” you breathe, unashamed by your blatant desire to have her right now. Really: you can’t get enough of her smell right now. “Please Miyeon… Let me be the only one.”
She smiles softly. She runs her fingers through your hair. “Baby, you already are.”
You press your forehead against hers. “I know. But can we just…”
You can’t really verbalise what you want out of this. You want Miyeon, but you don’t just want the idea and concept of her. You long for that connection with her, that union and that closure, not just some fleeting, superficial feelings. This woman is quite literally one of your dreams. It’s selfish to say this, but you want that security—something tangible to know that you’re really hers and she’s really yours, a piece of her that you can hold on to that helps rid your heart of those little demons. You hope she can understand this through your closed eyes.
And something about the way she fixes your hair tells you that she does.
“It’s okay,” she assures you, her other hand finding that one spot on your chest. It feels like it’s touching your heart directly, calming it. “I get it,” her fingers wrap around the knot of your tie, loosening it till it unravels completely. “You’re hurt and scared. Frankly, so am I.”
Miyeon wraps the tie up neatly in her fist. Her hands cross over each other as she reaches down to grab the hems of her shirt. It slips off her, a layer peeled away. Then the tie rolls down from her hand. 
“I want you to know”—she drapes the tie around her shoulders, the thin portion ever so slightly shorter than the broader portion as they hang on either side of those perky mounds—“I will do everything I can to protect you and us.”
She tosses the smaller end across her body, cloth flying over her left shoulder and dangling behind her arm. The broader end is wrapped around her neck—once, twice. 
Miyeon steps closer and takes your hand. The broad end of the tie gets slotted into your palm. 
“And even though I might have to be seen with him,” she coos, and she’s a little clumsy as she reaches for the thin end behind her, but she gets it on her second or third try. “Even though I might have to hold his hand in public,” she slips it between her skin and the loop she’s made, ties it off. “You should know: I am yours.”
She shocks you into silence as always. You know what she’s insinuating. You know that she knows what she’s insinuating. Your eyes search her for consent, and you find that it’s the only thing you can make out behind the veneer of a tender gaze. She checks the makeshift leash she’s made. It’s not coming off anytime soon.
You wrap some of the tie around your hand. Your fingers close around the silky fabric. 
(Just so we’re clear: the tie may look horrible on you, but she looks amazing in it.)
You pull.
And it’s just that. 
Clothes come off, lips meet, sighs fly through the room. Her hands explore you, grab you, pump you; your kisses find the best parts of her, the parts you love the most and the parts she loves attention at. The tie never leaves your hand, and you give it a tug or two when you get your digits in her on the couch. You’ll never forget the way she looks when her head is forced up just after it whips back, the glassy look in her eye as she begs for you, keens for you. Never in your life has anything this debauched been so intimate. You’ve never heard sighs out of you and her so luscious. 
“Princess,” you quite literally growl as you address her. It’s not necessary, but the squelching of your fingers in her slick brings out something in you—a part of you that’s wild and somewhat untamed. “I fucking love the way you moan.”
Miyeon bites down on her lower lip, hard enough to draw blood. “Yeah? She husks, her eyes going half-lidded in pleasure when you get your fingers in the same, soft, tender spot on the roof of her pussy. “It’s all for you. Ngh— A-All yours…”
And you don’t know how you can not believe her at this point.
You pull at the tie. She almost straightens completely. You kiss her. Her moans send pleasant vibrations down your windpipe.
It’s all so perfect. And it somehow gets even more perfect when she cums—waves of heat burning through her system; eyes shut and mouth agape; hands around your neck and your name spilling from her lips in a mix of curses (that mostly contain the word ‘fuck’); body convulsing and twitching in ways that make a low grunt emerge from the depths of your chest as you watch her. She’s beautiful—your beautiful princess.
When it’s over, you let the tie go slack. She crashes against the couch, forcing air back into her lungs with deep breaths. There’s sweat on her face, her body. Your hand finds its place on her tummy as you place small kisses on the corner of her lip, her jaw. Her skin is moist and sticky.
“Have me,” and it’s more so of a demand than a request. “Take me. However you want, wherever you want,” she runs her hands through your hair, “You’re the only one I want.”
You let out a low hum. It lightly vibrates at the base of your throat as you catch her earlobe between your lips. 
“Has anyone told you how fucking beautiful you are?” you can’t help but ask. She searches your face or a minute, then she chortles.
“About half the world,” she replies. “But it means the most coming from you.”
(Oh… That line really means the fucking world to you.)
You kiss her, hard. It’s messy, sloppy, and at some point you guys are scrambling to get on top of each other. She wins at one point, and so she rides you—dropping and rising hard and fast on your cock like a lewd merry-go-round carriage. She’s relentless, letting your cock fill her while she blanks out and just lets herself cry and moan like you don’t have thin walls in your apartment. You let her please herself, throw herself down onto your cock again and again till you decide that it’s your turn to have some fun. The tie is your friend, and you use it to pull her real close to not too kindly hiss your instructions into her ear. 
You’d kill to see the look in her eyes again.
And so you have her against the nearest wall in less than a minute, her back flushed against it and one of her legs bent in the crook of your arm. She reaches between your bodies, grabs your throbbing shaft and rubs your tip against her slit. You feel the heat of her pussy—the desire and depravity that burn in her core. You can’t believe she’s yours.
“I’m gonna put this in me,” she narrates her course of action, all breathy and silky. “It’s gonna fill me, fuck me… Maybe even cum in me.”
“I wouldn’t get ahead of ourselves here,” you whisper, your hand wrapping itself back in the fabric of the tie. “That last part? I dunno… Seems a little optimistic, don’t you think?”
She pushes your head in between her folds—not all the way, but enough to part them. “And why is that?”
You pop your hips, push yourself in a little more. She inhales sharply. 
“I only cum inside good girls.”
The smile that creeps its way onto her face is wicked.
“Trust me,” her hand finds purchase on your shoulder, pads of her fingers digging into the muscle. “I’ll be the best you ever get.”
She puts her weight onto the leg in your arm. You slide into her.
And you both take a moment to enjoy the unity—the feeling of the two of you being joined as one; your out of sync heartbeats that feel like pattering raindrops around your shaft. You want to say something witty, a quip that will get a nice chuckle out of her.
All you can really manage is, “Fuck.”
And in response: “Talk less. Fuck more.”
You draw back, push in. There’s the sopping sound of your shaft going in and out of her, wet pushing into warm flesh. You groan. She sighs. 
Tight, hot, wet, divine.
And it goes without saying: when you pick up the pace, she lets you know that she loves the feeling—the stretching, the filling, the push and pull. It comes to you in the form of pure filth: words that have very little consideration for propriety and no room for decency, something along the lines of “I can’t believe you feel this good. I can’t believe this cock is mine” or “That’s it. Keep filling me. Keep fucking— Oh” or maybe even a mix of both. You can’t be certain, because between you and her, you both know that the undulating of your cock into her tight, creamy heat and the almost torturous pressure around your dick is taking you under by the second. It’s not hard to lose yourself in her when she’s basically a little piece of you. 
Like always, she let her pleasure be known through desperate noises and choked up words. “Keep going, please, fuck—don't stop,” and it sounds like it hurts but you know it’s the other way around. Her pleasure coated tongue makes the lust in her words undeniable, her half-lidded eyes ruining the argument that she’s in any pain whatsoever. You yank on her tie, her body curves closer. You need a better look at that face.
(Trust me, it’s a face you don’t want to forget. 
For lack of a better word: it’s porny as fuck.)
It's a blissful dance – the rhythmic, almost metronomical give of her thighs as you slide yourself home again and again steadily and firmly. The smacking of sweaty and sticky skins colliding is almost evenly paced, sighs and grunts filling the spaces between slaps. She follows your lead, rocks her hips accordingly, angles herself and adjusts so that she can feel you in the deepest parts of her cunt. You lift her leg a little higher, spear yourself a little deeper. You listen to your body, she listens to hers. You give in to your desires.
You don’t mean to blurt it. You don’t mean to make the sex more complicated than it already is. But it happens—it fucking happens and you can’t stop it. 
“I love you,” your voice is nothing more than a rasp. She feels so fucking good around you — squeezing, pulsing and doing every little thing that makes your jaw tighten and you legs tense. “I fucking love you, Miyeon.”
She holds your gaze, then smiles, then nods. She nods vigorously, enthusiastically. “I know… It’s all I’ve ever known.”
Your hand on the tie releases it from your grasp. You catch a bouncing breast in your hand, squeeze the tight and taut nipple with your fingers. The tie shakes violently like a snake writhing, bouncing and swaying with each firm impact against Miyeon’s skin. She mewls, pulls you in, kisses you. She lets herself come undone with her chest flushed against you and your hearts aligned as she lets the cries transfer from your mouth to hers. You pump yourself faster, harder, faster, harder. Your finger digs into the flash near her knee. Your blood is boiling, molten metal spilling over and washing over you—gold rush, acid flux, saturating you in this bliss that numbs you out. You can’t tell where your thrusts start and end. They’re blurred by the heat washing over your eyes. You can’t get enough. The way you fuck her—it feels relentless, merciless, a fire that only burns brighter and can’t be put out, fuelled by the heat of Cho Miyeon flushed against you and the sublime squeeze of her slick heat. Everything about this is hot; everything about her is hot. 
“Don’t you ever let me go,” she hisses. “Fuck— don’t ever leave. This cock is mine. You are mine.”
“Princess, I’d never,” you nuzzle yourself into the crook of her neck, pepper her nicely with kisses. “You. Only you.”
“Yeah,” and her breath is hot on the nape of your neck. “Cause I can’t ever fucking imagine anyone else filling me this fucking good. No one has ever filled me this good.”
And her fricatives feel like acid: Aqua Regia—melting straight through solid gold just to get to you. It makes you burn a little hotter, fuck her a little harder. Your heart burns at the thought of her; your brain melts at the sight of her—glassy-eyed and mouth agape while cock pumps her full of pleasure and want. She finds a spot on your shoulder, whispers her proclamation of love— “I love you I love you I love you— Fuck—”—before she buries her face into your shoulder blade. Her love is an animal call, cutting through the darkness and bouncing off the walls, reaching a soft spot in your heart that you hold for her. Nothing in this world is gonna stop you from turning her into a messy little fucktoy. 
It’s hard to think. It’s hard to breathe. She’s become your world, the only thing you ever want to think about. Anything that isn’t her tight little pussy is irrelevant; what isn’t her thin lips pressed against your shoulder is invalid; no pair of eyes will ever match the glassy, lust-fogged ones that Cho Miyeon possesses. Your pulse is rushing, your head is reeling, your face is flushing. You want her—all of her. You suck hard on the milky skin you’ve caught between your lips, marking her, claiming her. She has no qualms nor worries; she tilts her neck to give you better access to that lovely patch of skin that becomes your canvas. She mewls, presses her forehead harder into your body, grounding herself in the sensation of her skin on yours. 
“I’m gonna fucking fill you, Miyeon,” you drawl. “I’m gonna cum inside this pretty little pussy and make a mess out of you,”
“Yeah, yes,” she’s barely holding it together at this point. “Please. Oh god please.”
Your hips move on their own now, taking liberties without signals from your fried brain as you pump yourself into Miyeon with the sole goal of piping her full of your hot seed. For long, wordless minutes, you're thrusting into her in a mindless, fervent fashion, giving in to your desires and your depravity and fucking her like she’s a doll. You relish the feel of her skin in your palms; the feel of her hands pressed against your chest; the sheer, strained phonetic atrocities that rise from the depths of her throat. Your shaft glistens in the light of the room, slick with her sweet juices as it slips in and out of her hot cunt, spearing into her with depth, making her legs weaker by the second. Miyeon cups your cheek, moans your name. You bury your nose deep in those silky locks of jet black hair. You need every last part of her to be close to you.
She's whimpering, eyes squeezed shut, toes clenching; she’s a coiled up spring, a bundle of nerves waiting to be released. Her bottom lip is between her teeth, her throat bobs. She's coming undone, breaking a little more with each thrust of your cock. You know that she’s cumming before she announces it, and when you fuck her over the point of no return, it’s bliss.
Miyeon melts, head whips back and thumps against the wall, positively combusts on the spot and ceases to hold on to the last bits of herself. She lets herself fall through the pleasure, orgasm almost ripping through her system as she shakes in your grasp. She’s such a precious thing, yet she can look like lust itself when she’s busy cumming all over your cock and whining like her life depends on it. She’s tighter, wetter, even better to fuck. 
She really is the best you’ll ever have.
“Miyeon–”
“Just fucking cum.”
Your line; same effect. You fill her, make a creamy mess of her cunt because you can. You fuck her through it, push your load deeper with each thrust. Your cock pulses, spasms, shoots load after load after load into her pussy till you can’t take it anymore and jitter to a halt, and there’s nothing left but a filthy mess flowing out at the base of your cock where her lips are splayed the widest. It’s a sight for sure. 
(And there really isn’t a word for the moment that the two of you share in that wrinkle in time, that moment where it’s just all warm and fuzzy and you have your forehead pressed against hers.)
You cradle her in your arms, kiss her chest, her jaw, her lips. It’s tender, it’s gentle.
“We’ll figure this out,” she pants through closed eyes. “I promise you: you and me, we’re gonna figure this all out.”
Somehow, you don’t doubt it.
--
(Still here? Great. We’re getting to the good part. Get your special sock out or something.)
So the newest rage of the K-pop scene is the photo of Miyeon kissing him in a car.
It's a publicity stunt—the whole damn relationship. They are supposed to appear in love according to Miyeon, and it was his idea to kiss her. She never consented and he just did it. It’s a pretty lewd photo: up close and personal and all. You can see his lips on hers, his hand on her breast and they’re like, clearly getting it on in three. Pretty steamy if you do say so yourself,
(...)
Oh fucking hell. Who are you kidding describing this photo like you’re just viewing an artwork. It makes your blood boil, and speaking to her after seeing this photo feels like dancing to alarm bells when you feign ignorance and just talk with her like it’s a normal Wednesday. You’re gonna hurt yourself at this rate, but she really means too much.  
She told you that he forced his lips on hers, you believe her to the best of your ability. You kiss her, tell her it’s okay, that she’s doing what she has to do to protect the two of you. She says she’s sorry, that she feels like she’s failed you. You kiss her again—albeit a little half-hearted—and assure her once more that it’s okay. You want to nurse her pain, but you also have your own problems to deal with.
And as if this fucking actor hasn’t interfered enough with your relationship, he has the audacity to call during the make up sex.
Her phone starts to ring when she’s on her hands and knees on your bed, and you’re fucking her into the mattress like she’s some pliant plaything. There's a rage inside you that hasn’t been quenched, and you don’t realise that it’s bringing out that dark side of you till you spank her ass a little harder than you intended to. It doesn’t help that you kinda twitch when you hear her yelp, and it really doesn’t help when she tightens after the second spank. The phone only continues to vibrate next to her head.
“Baby,” she rasps. “My phone…”
“Pick it up,” you hiss. “Pick it up and let whoever the fuck it is hear how you’re being fucked like a slut.”
Degradation has never really been a kink of yours, but you know she’s kinda into it. Even so, you’re not calling her a slut because you consciously want to. You feel like an asshole for being angry, kinda hate yourself a little for not being able to accept that she’s doing what she needs to do. And then you kinda hate her for making you hate yourself and— Ugh. It just gets more complicated the more you try and rationalise it. You can’t stop the hot blood from coursing through your system, fuelling your firm strokes into her tight heat like you’re trying to inject all the hate in your body into her. 
Her hand that was once clawing at the sheets now reaches for her phone. You keep thrusting as she flips it over, keep thrusting as she shows you the caller ID, keep thrusting as she looks back at you with a gaze that says “are you sure?”. You hope she isn’t met by that dark look you often see when you look at yourself in the mirror after a new headline about them hits your screen. It’s funny how one person can flip the idea of make-up sex on its head—turn it from something so tender and beautiful to a spite-fuelled fuck fest that’s gonna make things more complicated. She hasn’t even picked up the fucking phone, but you can hear his sick voice in your head as you drive yourself deeper into her cunt, fuck her harder and faster than you knew you could. She’s in no state to answer the phone, yet her finger taps on the ‘accept call’ button. 
(She would’ve rejected it if she could, but she got into some deep shit the last time that happened. Must’ve been threatened or something for her to pick up the phone while she’s getting fucked.)
“Hello?” she does her best to steady her voice, and she’s doing pretty well considering how loud the smacking of skin against skin is. She presses the phone a little tighter against her left ear. You don’t intend on stopping. Let him hear her being owned by you for all you care. “T-This is a bad… a bad time.”
Damn straight it is. 
Your hand caresses the curve of her ass. You spank her again, making sure that it’s loud and it leaves a red patch on her smooth, creamy skin. She contacts around you, gasps a little as you bend down and pin her down with your weight on her back.
“W-What?”—and it feels like she’s talking to both of you. You hiss into her other ear. “I’m going to fuck you like this,” your voice is actually a snarl, a dark one. Your body is energized by the promise of taking and ravaging the helpless, prone woman beneath you, your words dripping with loathing and your thrusts brimming with spite. “I’m going to fuck you hard and rough, and you’re gonna keep him on the fucking line so he can hear it.”—“No I’m… Jogging.”
She’s terrible at lying. You let her know through each thrust—hard and deep, uncaring for her pleasure or her comfort or anything other than your need to bury yourself again and again inside her body. There’s the need to dominate her, the need to make her yours. You hope this guy can act like he doesn’t care that his supposed girlfriend is being prone-boned by another guy, act like he isn’t totally aware of the fact that Cho Miyeon’s body is never gonna belong to him at any point as long as you’re alive. 
(Keep this between us: but with the way you're going down on her, it feels like the message is being transferred to her and not him.)
You hear indistinct chatter. Miyeon bites down on her lower lip, undoubtedly holding back the stream of cries and sighs and lyrical monstrosities that threaten to burst forth. With her eyes she begs, challenges you to do more. You could be reading her wrong by like, a hundred percent. Doesn't matter, not when you can take every liberty with her body because you couldn’t give more of a shit. There’s more indistinct chatter on the other end of the phone; Miyeon says something along the lines of “no. Don’t buy the choker for me”. You give her a choker—raise yourself up and reach around her to wrap your fingers around her throat. Her whole body tenses when you apply pressure around her windpipe. In no universe does this guy not know what’s going on right now.
Cause she’s there—right there, all choked up and struggling to breathe while the fucker keeps yap-yap-yapping away like he’s some fucking guard dog. It irritates the hell out of you. At some point, he kinda has to hear a squelch or smack or two, maybe even a moan or a cry as well. But he stays on the phone, and not once does Miyeon ever have to address the question of whether she’s being fucked on the other end of the call or not. You thought you were ignorant, but this guy is a whole new fucking level of blissfully ignorant. It feels like his sole purpose is to drive a wedge between the two of you, to make you hate her because you hate him. Again: it’s kinda complicated to say exactly what it feels like to be in this situation. 
And you can imagine the moans she wants to let out. They’ll tumble out of her lips like water down a waterfall, and they’ll mix with the sound of your lips smacking against her skin as you lean back down to kiss her neck, stopping at one spot that you know will be good to mark her and sucking hard. It feels like getting back at her—doing all the things you want to do while she can't speak her mind freely (and you know how tortuous it is for her when she can’t moan while she’s being railed like this). You’re not sure why you would ever need to get back at her when she’s done nothing wrong, but I guess it helps to synthesise and dumb down the emotions you’re feeling at the moment.
“Tonight?” she asks. Then she buries her head into the sheets because she can’t hold back this moan that almost explodes from her chest. You’re not squeezing really hard around her throat, mind you—only enough to make her a little uncomfortable, like a tie has been wrapped around her neck. She's getting off on it though: her walls squeeze you a little tighter; her breaths become more ragged and short. Honestly, she's taking your cock so well, and you communicate this to her with a growl. It makes her shudder a hell lot. 
Her other hand clutches the sheets, spasms. She’s pliant, she always is, but it feels like you can wrack her tiny body with so much more pleasure as you keep a hand around her throat and keep your dick pumping in and out of her. You wish you had a mirror to see that pretty face warping under the heat of her lust. You kinda forget that she’s still calling him when she speaks again, cause she follows up with, “I can’t— I can’t believe…”
And if that damn phone call wasn’t happening, she’d be saying something along the lines of “I can’t believe that you’re fucking me this good”.
“Sorry. I got cut off,” she pants. “Yeah… It’s harder to hear me when I’m running.”
Now she's talking to you. The reply is to him, but she’s addressing you. You take her up on it, and the slapping and squelching start to ricochet off the walls and ceiling. What you’re doing should be considered as a whole sin in itself. Technically, it’s adultery, but you’re not too sure if you can even classify this as something that simple. This is jealousy, hate and love mashed into one—a mix of things that kinda shouldn’t go together when you have a woman who’s quite literally like putty beneath you. It doesn’t help that she's this hot, this tight, this wet. She’s straining her moans, and it’s so cute that you want to choke her a little harder. You don’t do it (just clarifying some doubts here), but you almost do. 
“R-Really?”—you’re almost certain that what comes next is gonna be addressed to you. You can imagine her signing your name off on it—”wow… That must be so fucking good.”
Bingo. Gotta say: she’s kinda smooth with it.
“I’m fine. Out… Out of breath” you don’t know how she manages to keep her voice steady. “Y-yeah… I’m gonna come… Don’t worry.”
You hope that she can hold on.
You don’t know how long more you fuck her for while she’s on the phone. It’s a blur; you kinda only see red and you’re still choking her out even after she hangs up. It’s only when she goes, “Oh, fuck, daddy—!” with this breathless, perverse, pleading tone and a voice that’s so loud; her body unable to do anything other than gasp and moan and urge you to really give it to her, and when she says “fuck me, fuck me, fuck me!” like you’re not doing just that (and only that) at the moment that she’s hung up on him. Now she has every facility available to focus on the rock hard meat she’s receiving. You feel filthy, like you’re doing something wrong.
But hey: the sex is hot and Miyeon’s kinda into it, so you keep going. You keep fucking her into the bed—the same way you would if you were fucking her against the wall or in the shower or against any flat surface, really. It’s twisted, it’s dark, it’s hot; the angle her body is at lets you drive yourself deeper and faster and harder into her wet, tight and hot pussy like you never have before. You’re experiencing a novelty, a new chapter.
(Caveat: is it kinda messed up that you call her a cocksleeve? Not really? Huh.)
“God Miyeon…” you feel like the voice that comes from your throat is not your own. “You’re such a good fucking cocksleeve for me,” and you may or may not be tightening the grip around her throat as you speak. “So tight and wet for me. You’re such a good fuck.”
“Oh daddy, fuck you’re so big and deep in me,” she gasps. She has lots to say, even though air is like a fucking luxury for her. She rarely calls you Daddy, yet she’s using her precious air to do so now. “Fuck, fuck me as hard as you can, daddy! Do whatever you want with me! Own me! Take me!”
You barely recognise the woman she’s become: depraved, sordid and one hell of a hot mess. You love it. It’s fantastic. Fucking fantastic.
And she falls apart under you not long after, writhing and moaning and twitching as this beautiful mess of a woman you’ve made out of her. You want to cum in her, really own her; but your thoughts are fueled too much by the hate in your heart that they're wilder than anything she can ever imagine. 
You pull out of Miyeon, your shaft glistening in the dim light. You get off the bed, pull her away with you. Her mouth opens to say something. You kiss her—shut her up. She moans into your mouth, and you swallow it, bite her lower lip, and it's not rough, but enough to get her attention.
“You’ve gotten enough loads inside your pussy,” you husk. “Get on your knees. I want your mouth.”
She nods, and you relish the disappointment in her eyes. You push down firmly on her shoulders. She goes with the motion, and you're not sure if you can ever get over the image of Miyeon on her knees with her pretty little princess face staring at you with anticipation. You think about fucking her face, letting your cock thrust into the back of her throat over and over and over till you paint her face in a messy spray of cum. 
And you know what? You’ll do just that.
Of course, Miyeon perfectly understands what has to be done. You step up to her. She parts her lips and takes your cock right into her mouth, grasping the base of your cock and pumping it with one hand while she gently cups and squeezes your balls with the other. The pace she launches into is hard and fast; blurring her chocolate hair and your vision—taking the top half of your cock in and out of her wet mouth with rapid urgency while her fingers work your shaft in a corkscrew motion. The suction of her mouth is almost lethal, the seal sublime; and the audacity she has to look up at you while she takes your cock in and out of her mouth is so exhilarating that it makes you weak in the knees. She’s gorgeous, even more so when she’s got cock in her mouth.
Your hand finds a clump of her black, sweaty hair, and you close your fingers around it, holding them in your fist. You push her head down onto your cock, pop your hips and start thrusting with firm, slow strokes. She exceeds every expectation you ever had, adapting to you, changing to please you. Your eyes shut involuntarily. Your brain blocks out all sensations that aren’t the wet, hot cavern of Miyeon’s mouth sealed tightly around your shaft. With the first entry into her mouth her wet tongue is pressed tightly against the underside of your shaft, lathering it with her spit. The backstroke is somehow even better, that pretty little mouth endeavoring to suck you right back in when you draw yourself back out. It feels like time stands still, but Miyeon’s still in motion, and she’s the one making you feel like all the natural laws in the world are being defied.
A small part of you knows that you have to see it happening in order to truly believe it’s all real, so you force your eyes open to watch the spectacle unfolding between your legs. Smoky eyes glazed with pure lust staring right up at you, watering, projecting perverse pleasure with a gaze; hollow cheeks and a seemingly unhinged jaw to accommodate your length; spit leaking from the corners of her mouth, dribbling down her chin.
“Fuck I—” is all you manage to say (or maybe ‘grunt’ is a better word) before your orgasm takes the reins to your body. It overwhelms your senses, but you force your eyes open to watch as you pull Miyeon off your dick just in time. Thick, glistening cum erupts from your tip to land on Miyeon’s face, on her cheeks and nose, painting her smoky features with pearlescent, warm ropes. You paint her face with your hot white seed, and it’s far from an elegant piece of art. She doesn’t look anything like one of the French girls she wanted to be painted like, but the look of utter lust on her needy features is still breathtaking—mouth open, tongue out, eyes closed in delight and bliss.
Ugh, she's one hell of a woman, isn’t she?
And when it’s all over, she takes your cock in her hand and licks off the drops that she’d been deprived of. 
“If you ever do that again.” you love the raspy touch to her voice. The lilt in it is doing wonders too. “I’m gonna make sure that you’ll be calling your mom the next time I blow you.”
You roll your eyes and sigh. “Whatever you say, princess…”
The hate seems to fade. Your heartbeat slows.
Maybe this relationship is salvageable. Maybe you guys can last.
You talk to her about it afterwards and apologise sincerely. She says that she didn’t think much of it when it was happening. Then you guys are at peace again.
(What do you think? How long does the honeymoon last? A month more? 
Two?
Generous.
Try one. Fucking. Week.)
--
“Okay. Hands down: this is the best Jjamppong I’ve eaten.”
The growing pile of clam shells beside her bowl tells you that you did something right. It’s the first time you've made this dish, and there’s always that lingering worry that you fucked up somewhere along the way when you eat it for the first time. The soup seasoning is a little off in some places (you don’t know where exactly), but it’s nothing a dash of fish sauce and some chilli flakes can’t fix.
“I mean,” Miyeon continues, speaking between small yet generous mouthfuls of noodles. “You only get better and better at cooking. I don't know how you do it.”
You give a half-hearted smile. Your noodles have kinda gone cold by now: you’ve been stirring them around with your chopsticks for the past five minutes or so. Appetite has become a luxury for you these days, and it’s one of those days where a new article about him and her comes out, one of those days where you both agreed to put a pin on it and just enjoy life. “Well… It’s a lot of love and care, I guess.”
“You can say that again,” she smiles. “Thank you for making dinner. No one cooks like you.”
“Thank you for cutting scallions,” you say. “No one cuts them like you do.”
She laughs and waves it off, then takes another slurp of her noodles. “I honestly don’t know if I like your tomato soup over this.”
“Don’t be ridiculous. My tomato soups have always been the peak of my cooking prowess.”
“I really don’t know!” she tells you, grabbing another clam from the centre of the table. “This stuff is all smoky and tasty… It just feels like home and I—”
You drop your chopsticks into your bowl. Soup splashes onto the table.
“How do I keep living like this, Miyeon?” you ask. There are only so many pins in your possession and you feel like you’ve used all of them. “I’d love to sit here and talk to you about how I made this meal like everything’s okay, and this is just Thursday and maybe we’ll get ice cream later… But it’s not like that right now.”
Miyeon takes your hand in hers. 
“I can’t pretend like things are the same when everything’s… different,” you close your eyes, take a breath. “I love you, Miyeon. You’re like, the best thing that’s ever happened to me and… I’ve never loved anyone the way I love you.”
You can hear her take a breath to start speaking. You really want to let her, but there’s too much on your chest. 
“I know you’re doing what you have to, for me, for us,” you want—oh so badly––to just bury your face in your hands right now. But once you do that, the tears will inevitably come and your ability to speak your mind will disappear faster than you can regain yourself. “But it hurts. It hurts to see you holding his hand, walking around and… and kissing him.”
Your heart stings when you see the tears welling in her eyes when you find it in you to look at her. The last thing you want is to see her in pain. This next bit hurts you even more to say, but you know that it’s better to tell her how you feel.
“I feel like I’m an open wound… and you're just pouring salt on me,” and you start to choke up a little. “I’m sorry to put it that way but—”
“No,” she interjects. “No. I get it… I-I understand.”
And for a moment, it feels like everything's okay for a bit.
Then she comes around the table to kiss you, and hell’s bells start ringing all over again. It hurts to kiss her, but it feels so right.
Miyeon leans into you. She kisses you. She pulls you close. She lets you run your hands across her body, down her back. You stand. Your tongue pokes into her mouth. One of you says I need you and you don’t know who it is.
And like when things were okay: you guys don’t make it to the couch.
You get naked. She gets naked. The sex isn’t about pleasure or thrill. It’s the aching within the both of you that drives your shaft into her cunt, rocks her hips as you fuck her. You quite literally make love with her, your strokes passionate and fervent; her cries are earnest and wanton, full of longing. For long moments when her chest is against yours, your hearts are aligned. You wish that you could fuse them together, take away the pain by making the two of you one singular person there on the floor. It feels possible when your dick is throbbing inside of her, pumping her slick with rock hard meat again and again and again.
But the thing that sucks the most is that you can’t do that. You’re two separate people with two separate problems that kinda overlap at the same point.
You have her bent over the counter, propped up on the kitchen sink—anywhere you could reach was a surface for you and her. And normally you’d be a bit of a party pooper about fucking on these surfaces, but today you really can’t give more of a shit. You want to feel like everything’s okay again, like you’re not fighting for your life to hold on to this relationship that’s being torn apart day by day, night by night.
And you may have pieces of each other deep within your souls, but they don’t seem to fit anymore.
When it’s all over and you’re panting against the dishwasher, reality hasn’t changed and you’re still torn. You have a wound that only you can heal through acceptance, yet you can’t find it in you to accept that this is the life you have to lead. You want to love her. You want it so bad. But you can’t find the will in you to love her when there’s another man in the picture, albeit that her love for him isn’t even minimally a concept. You can’t nurse her injuries either, and it hurts to know that as her delicate hands cradle your cheeks. Her touch is perfect, her breaths are soft on your skin. The two of you have tried so hard to make it work, yet you’ve only come so far. The solution to this problem is like thousands of hot fire pokers stabbing you simultaneously, and it only hurts because it’s the only way forward for the both of you. 
“Miyeon,” you can’t quite believe what you’re about to say. The tears streaming down your  cheeks aren’t making anything easier. “Let’s break up.”
(And this isn’t for pity: but you cry yourself to sleep after she leaves that night. Ain’t it fun being heartbroken? You would know how it feels, right cupcake?)
--
Three months, two weeks and one day (about 105 days if you really want to be fully accurate. Go write that down somewhere) pass uneventfully—and by that you mean, you never picked up any of the 138 calls that came from Miyeon. It would have been 140 calls if you hadn’t picked up two of them when you were drunk. But hey, she was drunk too. So it kinda cancels out… at least you like to think that it does. It does, doesn't it? Two negatives make a positive? 
(No?)
Ah well. Anyway,
(Okay, caveat, again: you’re thankful that she hadn’t showed up to the apartment once throughout this period. You’ve been stuck between your anger and a blame that you can’t face because you don’t know if you blame yourself or her or him. Drinking doesn’t help to lighten the ache in your chest, so you tried exercising: running, swimming, even pilates; you tried to pick up music—bought a guitar and everything. Your fingers still hurt when you play chords, and you’re considering giving up at some point; you tried to learn how to make those pain in the ass French desserts, and now you have a fire extinguisher permanently installed in your kitchen because you somehow managed to set fire to macarons; and you tried to write. That didn’t go well. 5 Wattpad users politely asked you to kill yourself. Not fun.
One way or another, your thoughts would end up drifting back to Miyeon, and you’d have to sit in place and kinda stare into the distance for a little. And yes, you did question your choice to end things with her many times if anyone is asking. You kinda hate yourself a little for not trying to make things work, and you also kinda hate her for not insisting on staying to make things work. 
It took two of the three months for you to realise that you were both kinda in the wrong. But it’s already too late by then.
You couldn’t get a grip of yourself and fight off your internal demons; she couldn’t stop doing what she thought was right to protect the two of you. Net-net: it’s a loss for the both of you in the business of love. Now you have to look for a way forward through this grey-area mess that you’ve made, learn to live with the fact that maybe you guys just weren't meant to be in the grand scheme of things.
The updates on Miyeon’s relationship with that damned actor kept coming, but it stopped as of late. But for a while, they were all the rage for gossip blogs. Every now and then, a shitty title like “Cho Miyeon stuns with her visuals on her date” would pop up, and you have to swipe away quickly before you accidentally tap on the notification and see her holding hands with him. You’ll admit that you opened some of the articles just to get a look at her face, then smile to yourself for a bit before you fight the urge to punch the spot next to her where Squid Game wannabe is smiling. You’ve succeeded so far.
You kept away from Jjampong and tomato soup with grilled cheese too. It’s hard to take your butter bell down from the fridge without tearing a little, and the fish sauce and chilli flake panacea for food doesn't apply to a broken heart by the way (it’s just really salty and spicy. You don’t know what you were thinking. Probably drunk. 0/10, please, please, please do not try). The two dishes are too homely; their tastes remind you of her.
Okay. Let’s ‘anyway’ for real this time.)
Yeah, so uh, remember how you said that sometimes the news you give each other can be a little heart-attack-inducing, so it’s better that your loves are pretty bland? Yep… Sad to say that the same confirmed hypothesis still stands, even when you guys are on day 106 of your break up.
This time the news comes in another headline—and you mean like front page, breaking news headline—on Tuesday night. Wonderwall isn’t treating you too well. You’re pretty sure that your finger tips might be turning purple. Your phone buzzes next to you like crazy, just like it did that night, and it’s like having an iPhone seizure. You don’t think too much when you put down the guitar and pick up your device. 
And you only read the first six words to give yourself a valid reason to reset your miscall streak with Miyeon.
Idol Cho Miyeon Slapped In Public…
(The title was a lot longer than that. You should know it since you’re here in the first place.)
It’s in moments like this when you kinda wish that speed dial was still a thing. (I mean there's siri and all, but do you really have time for that right now?) In a blur of great clumsiness, you open your contacts and experience no difficulty in locating her number again. She’s on the top of your miscall list, so it really takes no wizard to figure this out.
You hate that she’s letting it ring for so long. Every brr brr makes you tremble a little more in your seat. If your mum could see you now, you’d probably get an earful for your bad habit of biting your nails.
She finally picks up the phone. It’s good to hear her voice. “Hey…”
Your mouth opens, closes, opens again. Now you realise that in your hurry to check on her, you’ve yet to rehearse what to say to her. The debate between your head and gut almost tears you in two. 
“You okay?” you finally manage to blurt after some struggle. “I saw the news… Just wanted to check if, you know, you’re still up and kicking…”
You hear that familiar scoff from the other side of the phone. “Please. You know that it takes more than that to take me down.”
If your ears don't deceive you, you can hear a bit of a strain in her voice. She hates it when you jump to conclusions though, so you leave it as it is for now. “That’s… That’s great.”
And it’s silent again. If you were in the business of losing her interest, you’d be making crazy profits right now. Okay, better end this fast.
“Well uh,” you begin, stopping for a second to swallow some saliva to soothe your semi parched throat. “I guess—”
“Can I come over?” 
Like she always does, she shocks you into silence. Your throat dries up. Your mouth is the Sahara. 
“I… I miss you… if my miss-calls weren't clear enough about that,” she chuckles. You swear you hear a sniffle. “I’d like to see you again,” and you can hear your heartbeat in your ears, “for closure of course… and maybe tomato soup?”
Your heart joins the debate between your head and gut. It wins.
Minutes later, your butter bell is open, a knife scraping out the last bits of creamy butter out of it so that it can be used to evenly butter the other side of your bread. You’re moving on instinct, with glee and excitement. You’re not sure why you’re happy. You’re just happy—happy that you’re gonna see her; happy that you can prepare this dish again without the knowledge that you’re not gonna see her when you turn. It isn’t till the doorbell rings that the joy fades, and in its place comes that familiar tension of a two tonne weight wrapped around your chest. 
You aren’t sure why she rings the door when you haven’t changed the passcode to the lock. If she’s trying to be polite? You appreciate it. If she just forgot the pin? Well… you wouldn’t put that past her either, really. Your gut, head and heart agree you that it’s most likely the latter, and you kinda have to remind yourself as you open the door that she's just as forgetful as anyone else.
“Hi,” you catch yourself staring at her. You don’t mean to look at her dress first, but it’s the first thing your eyes are drawn to; it's been a while since you’ve seen her in anything other than a t-shirt and shorts. The white dress she’s wearing is bedazzled out, the light that’s reflected off of it catching you and making you a deer in headlights for a bit. Then you snap out of it. Your gaze travels up to her face and… “You look… Fucking terrible.”
You love her eyes and you love to watch them roll. “Thanks. You look not bad yourself. Gained some weight?”
You try not to stare. You fail—horribly you might add. 
But in your defence, it’s hard not to look at the purple spot on her milky skin. 
Miyeon covers her cheek. She looks down at your feet like there's something really interesting about them. “Are you, you know, letting me in? Or are we just gonna keep standing here?”
You blink. “R-Right.”
And soon she’s settled into her usual seat, nibbling on some grilled cheese while you ladle out her tomato soup into a bowl. It feels like nothing has changed, but you know that’s not true. Both of you know that everything’s different, that you can’t just give her tomato soup and peck her on the cheek.
“So you play guitar now?” she catches you off guard as the bowl makes a small thunk against the table. It’s in the same spot she always places it, and you know because a woodring has formed in that area. You follow her gaze and see that she’s spotted your Fender on the couch. 
“Sort of?” you reply, a little uncertain in how to rate your abilities. “Just basic stuff, you know?”
She smirks and picks up her spoon, starts chipping away at her soup “So you’re finally digging up the singer-songwriter in you… Good on you, man.”
Again, you find yourself staring at the bruise. It’s a deep shade of purple, splotchy and a sight for sore eyes. From the looks of it, he hit her hard. There’s a burning in your chest—a mix of grief, pity and anger as you watch her eat her food. You wish that you could’ve been there to stop it. You wished that you could’ve just dated her under different circumstances so that maybe, just maybe, you could’ve gotten that ending you wanted. You don’t know how she’s ever gonna cover that up when—
“If you’re gonna get something for this thing, go do it,” she mutters. “Chivalry hasn’t died completely, right?”
You nod and scuttle off. It’s easy to lose track of how long you’ve been staring when you’re lost in your thoughts. Is it scary how this feels like just another conversation between you two? 
The ice pack from when she bought that ice cream cake was still in the freezer, and it’s chilly in your hands as you grab it and return to the table. She has finished her soup—not a single scrap left inside the bowl. She must be starving.
Her grilled cheese is half eaten in her hand; she stares into the distance as she chews. 
(And she’s as beautiful as she can ever be, by the way. A lot of people haven’t seen her the way you see her, and you’re kinda glad that you get to witness that tender part of her that she rarely shows to cameras. It’s… It’s hard to describe what it means to know that someone like her finds it this easy to be herself around you, but you know it’s an honour and a blessing.
But when you're looking at her with your rose-tinted lenses stripped away from you, the notions you hold towards vulnerability become contradictory, because on one hand you know that she’ll never hurt you the way she did, but on the other you know that she’s not the same person when she’s not around you. So at the end of the day, you’re just kinda left figuring out which side of her is the real her. Do you believe what the Cho Miyeon you know tells you? Or do you believe what the Cho Miyeon the world knows? It gets confusing, makes you wonder why she ever has to put up two fronts in the first place. 
Then again, it’s not exactly her fault: she does what she has to so she can stay afloat. No industry is free from dirt. Some are just filthier than others.
I guess what I’m getting at is that… she’s this contradiction in my mind. I want to believe her, but I can’t, yet I still love her like she’s just a regular human and our lives are just a little messy. I know there's this whole argument about the fact that idols are humans too and all, but I guess it’s kinda… undermined? Yeah—undermined by the fact that they can’t exactly lead ‘normal’ lives once they’re famous. Look at me, using these big words.
So I guess… I guess dating her was like the worst of all blessings and the best of all curses. Does that make sense?
Ugh. I’m blabbering. 
Sorry cupcake, I’ll get back to it.)
And maybe you forget that she isn’t your girlfriend anymore, or maybe you just kinda blank out in the moment, or maybe you just wanted to do it. For whatever reason: you call her name, and when she turns, the ice pack in your hand is gently applied against her face. You don’t think much of it for like, three or four seconds. But when her wide eyes finally register in your head, there’s a moment where your breath is caught in your throat. 
This is important, so you should know: the silence is fucking deafening. 
She swallows the bit of sandwich in her mouth. “I refused to sleep with him, and he hit me like a girl. Fucking embarrassing on his part,” and there’s that smile on her face as she speaks, the same one that she loves to flash your way when she told you that she loved you. “Barely felt it. Light work.”
You can’t resist—your other hand cradles her unblemished cheek. “Miyeon…”
She closes her eyes. She knows that tone you’re using, the one that’s like ‘don’t lie to me’ or ‘it’s okay, you can tell me’. “Look: when the man that loved you the way no one else loved you breaks up with you, nothing can be more painful than that,” she whispers. Her throat bobs a little. She furrows her brows as her eyes squeezed themselves shut themselves a little tighter. “And that man is you by the way…” her voice cracks, her eyes open, “don’t know if I was clear enough.”
And you kinda have to kiss her after that. It’s a good line… and she’s, like, smoking hot right now. She always is.
The familiarity of her lips against yours almost makes you melt. The ice pack drops from your hand, your palm taking its place on her face. You kiss her like you used to. You kiss her like you want nothing else but her. You kiss her like you want nothing else but her because you want nothing else but her. She’s home – Jjamppong and Grilled Cheese with Tomato soup — and you don’t ever want her to leave again.
“I’m sorry,” she croaks, and you wipe the tear trailing down her cheek. “I should have never… We should have never—”
You shush her with your lips. She lets herself melt into you, her hands running through your hair the way she would sometimes when she called you crazy or baby. You don’t realise how much you’ve missed her touch till now.
“We were both wrong,” you tell her once you break away (rather reluctantly). “So how about we just call it a truce?”
She nods, and she does it enthusiastically. “If it’s cool with you…”
You scoff. “Why would it not be?” and your thumb gently caresses her bruise gently. You want to kill him, but you’ll save that for another time. “I’m the one who suggested it… Guess Chivalry is not all dead, huh?”
And it’s good to hear her laugh again.
“Come here you big idiot,” she giggles, and she kisses you again. 
Then you dive down to her collarbone when you can’t take it anymore. And the rest is history repeating itself.
You know: it feels like you’ve been picked up from the ground. Miyeon has come to get you… she's come to get you.
Maybe everything’s okay after all.
--
(And uh… The media covers the rest. What was it? Like, two weeks later? 
Ah whatever. You know what happens, don’t you? It’s pretty crazy, made headlines and all.
CUBE has some really good lawyers… And liars. Almost the same thing.)
--
“So that’s the story?” 
Nursing your third bottle of cider, you chuckle. You’d thought by fleshing out whole smuts in verbal form would have chased her away by now, yet here she is. Then again: she is an old friend of yours, so you guessed that she’d be rather adjusted to your bullshit. “Are you sure you’re an investigative journalist?” you question her, “I thought you’d ask something more along the lines of ‘what happens after?’.”
From across the booth seat, Chou Tzuyu shoots you a smirk. 
“The news covered it. Why should I pour salt into old wounds?” she admits. Her glass of wine swirls, manipulated expertly by her delicate fingers. “Anyway, I think I got… The main gist of it. Unless you have more information regarding the restraining order filed against you by CUBE, I have no further questions.”
You roll your eyes. No, you do not have any new information about why CUBE decided that you were a danger to Cho Miyeon, and you’ll never know if Miyeon knows either. She was out of town when it happened, and all she knows is what the news reported: you’re allegedly a stalker and hence a threat. You only know that she called and texted you frantically after, but…
You know what? Maybe you’ll think about this another time.
“You do know that, like, you're kinda bad at this right?” and you set your cider bottle aside, letting it join the almost empty whiskey bottle you bought yourself. You fold your hands and lean into the table. The world spins a little. “I don’t know why you’re prying, but I’m guessing that you heard something from the grapevine that you were itching to hear more about. Either that or you’re just… Could it be that you’re desperate to get something fresh, Miss Chou?”
She sips on her wine, leaves the question hanging in the air for a little as she swallows. 
“Keep this between us: I can’t trust Shuhua sometimes,” she muses. “If I’m gonna write about this, I’m gonna have to make sure that all the information I’ve gotten from her can be corroborated,” she pushes a wisp of hair behind her ear. “And for the record: I am not bad. I do my research as thoroughly as anyone else would—enough to know that you are someone who tells the truth.”
“So you’re saying that you trust me as a source?” you can’t help but scoff. “Me, the very guy that got fucked over by CUBE? I could be bigoted and biased for all you know. Or even worse: I’m lying.”
She smiles knowingly. “Respectfully, you have too much… personal voice in this recount that I might as well write an autobiography on your behalf.”
And she stuns you into silence. It occurs to you that you're a little drunk, and you’re pretty sure that you called this woman ‘cupcake’ multiple times. You’re not too sure; you don’t even have half a mind to know what you’re doing or saying.
Tzuyu gulps down the rest of her wine before she rises from her seat. 
“I best be going,” she opens her purse and fishes something out of it. She hands you a card, an address and a phone number handwritten onto it in what looks like a felt pen. “If you want your story to be heard, give me a call… Or a text. Whatever strikes your fancy. I’ll need a version of this that doesn’t include all the fucking and your drunk blabbering,” she shoulders her purse and smiles. “Can’t promise that I’ll buy you a drink to make you talk again, but I can treat you to some really good Chinese dumplings. Maybe we can catch up a little too. It’s been a while.”
You stare at the card, tracing the hooks and curves that form numbers and letters. Your eyes fix back on her. “Why are you doing this?”
She shrugs, and it’s not a “I dunno” type of shrug, but more like a “the proof’s in the pudding, open your fucking eyes” type of shrug. 
“I want to report the truth, and I know you well enough to know that you want that too.”
That's right. Another series. I know I'm doing everything but finishing up Beats Me, and you can go cry a river in my asks if you want. Just kidding, I love all of you, but I want to write what I want to write. Let me have my fun, would you? Also, for the record: I did not finish this 5 days after Beats Me 7. Beats Me 7 was finished before I vanished from tumblr for a bit. This has been brewing since December. You can thank long drives and Noah Kahnan for this.
Anyway, another big thank you to @defmaybe for being such a great sport and reading through the 39 page document that showed up in their discord DMs one fine day. This fic would have been full of typos and horrible grammatical errors if it weren't for them.
Stay safe, Nichu
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crimsonender · 4 months ago
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Mikaila Orchard sucks at Paneling
I debated making this a video or not. But, I decided against it. If you guys are interested in me making videos about this sort of thing, let me know and perhaps it's something I could cover in the future.
So Mikaila Turkleson aka Mikaila Orchard has always made... questionable art. To me it seems like a weird amalgamation of Equestria Girls and Sophie Labelle's art. Anatomy bad character design bad etc etc. I don't however see a lot of people talk about her paneling.
Recently, Mikaila and presumably her partner, Lily Orchard started a new art endeavour. I assume to turn over a new leaf and bury the now-infamous Pokemadhouse. You can find it over at bhaalspawnfunnies. It appears as if the blog will focus around the player character of Baldur's Gate 1, Gorion's Ward, and their half sister, Imoen. This is the first entry.
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Where to start? My first impression is that this is very poorly drawn, and low effort even by Mikaila's standards. The speech bubbles are low contrast against the background. The ground/floor blurry blob looks extremely bad. As a fellow artist I get the distinct impression that Mikaila did not want to draw this piece.
Moreover, there's a huge issue with the panelling and pacing. Comics are really cool in that you can kind of use panelling and negative space to "time" jokes, leading the eye where you want it to go and using framing and other art tricks to make a punchline land a little better.
This "comic" has none of that. There is no pacing, there is no comedic timing. It's all bland and presented as a block. I took it upon myself to re-panel this piece, and I've made two versions: One, with Mikaila's art style and visuals, but with the panelling slightly adjusted to be more punchy and effective, the other I completely redrew, using the same joke.
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Excuse the sloppiness. I'm not going to expend too much energy polishing and gilding this turd.
That being said, this is already a huge improvement. Even if Mikaila isn't at the technical level of a professional artist, this is very attainable with only a few more minutes of effort. The timing is punchier, the speech bubbles draw your eyes down the page, and even without colour coding, it's clear which of the characters is talking. This isn't exactly a hot take but in my opinion you shouldn't need colour coding on a comic page to denote who is speaking. It should be very obvious! Moreover, speech bubbles should be included in the composition, not added as an after thought.
I'm guessing the original comic took her less than an hour to make. I think I'm being generous here, honestly if this took her more than twenty minutes I would be concerned. Being generous though I gave myself one hour to make a version completely redrawn.
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This was again, very quickly put together and of course is in no way perfect, but its to demonstrate what a little bit of thought can do to improve a comic page. I decided to change the pose of Gorion because making family guy references should be a a cardinal sin for artists, as well as make the characters a little more recognizable. "Aryana" is, notably, Lily's OC and bears little resemblance to the canon character of Gorion's Ward, but considering Baldurs Gate does allow character customization and dialogue choices, I decided to make their gender a little more ambiguous so players of any gender could see their version of Gorion's Ward in the comic, but kept the elf with long dark hair appearance from Mikaila's original. I also looked over the pic after I was all done and ready to upload and noticed some small flaws I could easily fix, and went back and did those things. You should always go over your pieces when you're finished them with fresh eyes before you submit them as a final piece.
Again, this certainly isn't perfect and I'd probably put more effort into a piece with characters I care about and a joke I actually find funny, but I hope this demonstrates that pacing and expression really are everything in comics.
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vanteguccir · 10 months ago
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Hey guys! I actually spent long minutes staring at these reblogs and debating whether it was worth responding and talking about or not. But as I'm not the type to take hate and keep quiet, I decided to talk about it.
First of all, Reia, you really seem like a person who doesn't read many fanfics for the way you put it in your text, so I'll explain the meaning of the word. Fanfic, short for "fan fiction", is a story written by a fan based on characters, universes, or real people (like the triplets). Fans create their own narratives, expanding or reimagining everything, creating their own version, which in real life does not exist OR, as writers, we often draw inspiration from real-life events too.
And yes, you and Evangeline are trying to be "fanfic police" and even "sturniolo police", if you scroll through the thousands of Sturniolo Triplets fanfics, you will come across A LOT where Matt, Nick or Chris go through situations of anxiety attack, panic attack, OR where the "reader" herself goes through this, sometimes even involving situations way worse than that. Furthermore, there's thousands of fanfics describing explicit sex scenes with them, the famous smuts, does that bother you too? Because in the world of someone who writes a FANFIC in here, it doesn't.
And yes, I was indeed writing about the meet and greet situation, and this was nothing new to ANYONE in the fandom WHO READS THE FANFICS HERE. I even made a post the day before ASKING who would like to read the idea, and you want to know the news? All 200 people who voted wanted it.
I understand that you feel this story is disrespectful FOR YOU, especially because it touches on a real-life situation that may be sensitive or painful for some people. I want to assure you that it was never my intention to cause harm or disrespect anyone involved in that situation.
I myself am diagnosed with chronic anxiety, and even so, I didn't feel affected by the way I wrote. In fact, I described how I feel during MY anxiety attacks.
In no way did I make fun of the situation Matt went through, in fact, my intention in writing this story was to explore Matt's complexity and show how he deals with real problems, such as anxiety. It was a way to give more depth to his situation during the tour and highlight the importance of the emotional support he receives from "Y/N". It was not my intention to mock him, but rather to explore his humanity and the challenges he faced, and I know with all the certainty in the world that I did not mock him, much less affect the people who read the story.
Please, I ask you to reevaluate the need to throw hate at a person who has nothing to do with your outside the box opinions of what WRITERS ON THE STURNIOLO'S TUMBLR should or shouldn't write about.
There are thousands of posts on Instagram and TikTok from "fans" really mocking Matt and throwing hate at him about "their bad experiences" during one of the shows, these are the people you should be giving a piece of your mind to, not me. 🩷
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evilmoldywizard · 5 months ago
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Hey guys, recently been turning evil about Stanford pines again because of book of bill, so here are some headcannons I have of him
- as someone (myself) who has a lot of hand issues that come from joints in places they shouldn't, I feel like he has a lot of chronic pain with his joints and wrists specifically. (I'm an avid Stanford pines finger splints believer), because just trying to make the anatomy work when drawing his hands makes mine sore just thinking about it. I feel like as he gets older especially he starts to need extra support for his fingers and wrists with all the tinkering with machinery, and stealing heavier tech parts he does.
- the scalp over the metal plate in his head has trouble growing hair like it used to before surgery, and its partially why his hair has started going gray heavier around that area, its overall a bit of an awkward patchy area, he doesn’t really care much though. It also gives him headaches whenever the weather is off, but he only really notices this when he is back home in the mystery shack.
- he of course is covered in more dumb tattoos that he picked up throughout the multiverse, as well as some actually good meaningful ones too. He's also had a lot badly removed but just enught that you can still see them faded.
-transgender because he just is
-i would say “did his own top surgery” but I feel like he would of never bothered, because of the recovery time. He would probably be one of those trans guys that just work out an insane amount to sort of even out the muscle.
- regularly gets confused/ straight up forgets details about the dimension he's in. (canon, I know but listen) he has been through so many versions of so many realitities and god knows how long he spent in each, trying to relearn customs, languages, names of things, etc, and genuinely gets upset when he forgets which pieces are from what dimensions. It just reminds him how much he has missed out on. This also leads to a lot of derealisation issues and paranoia about finally being in the right place.
-in some dimensions he has been able to study up and get some more degrees on some like really obscure topics. I feel like he did this in the really early years before he became an outlaw in nearly every dimension. He probably wanted to fall back into as familiar of a pattern as he could with all the constant chaos around him, academic approval is the closest thing he can feel like to having control over his current situation. It also kind of reminds him of Fiddleford, but he doesn't like to dwell on it, or really think too hard about it.
- he genuinely loves hearing about new changes to his home dimension from dipper and Mabel, even dumb little memes Mabel keeps showing him. He doesn’t really get it, but he just likes to be included.
-he visits Fiddleford almost every day since they reconnected. Trying to find pretty much any reason to see him. He misses him more than words can say and feels guilty about how things ended with them, and Fiddleford knows this. He just likes having Stanford around too much to say anything about how obvious he is being.
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simplydnp · 11 months ago
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WAD: Cover Art
dan is still working on selling the distribution rights for We're All Doomed! so i decided to make some DVD/Blu-ray disc jacket art!
this is my attempt at a traditional jacket design! none of the images used are mine, but i did create the concept and design:
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as i was making the first one for myself, i was struck by the fact that 'well, it's for me, so it doesn't have to look like a stereotypical jacket cover' which led me to be more artsy in my approach for the next one:
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i was really enjoying the creativity and space to explore, so i went looking for more inspiration for a third design. this led me to dan's favourite Muse album: Origin of Symmetry, which i paid homage to:
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after the first Muse album, i looked at their catalogue to see if there was more inspiration there. i was just thankful dan's favourite was easy stylistically to mimic, unlike say, 2009's The Resistance...
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thank you @danielhowell for the inspiration!
nerdy stuff & reference pics below the cut!
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i don't know how to use photoshop! i entirely brute-forced my way through the whole project, and the only tutorial i looked up was for the gradient text in the 4th cover
this wasn't even the original project i was working on! you'll eventually get to see that though
and this one also inspired art for the disc itself so stay tuned 👀
i will do anything for authenticity so these are Full of intentional details
matching fonts is a nightmare
the traditional cover
took the longest, as it was the first.
the barcode numbers are the date of the first video he uploaded on dinof, and the last tour show date (in m/d/y)
i changed 'iceland' to 'poland' on the front cover, as he never actually went to iceland, and poland wasn't ever on the list even though he did go there
the orange may look a little off-center in the front, but these designs need to include space for a spine between the front and back cover, i promise it's right 😂
the black and white cover
inspired by the 'i want to believe' aliens poster
the cover art comes from his metal band merch shirt design
i had to manually shrink the text, line by line, and ensure it all lined up on the back!
i even made the logos on the back greyscale
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the Muse: Origin of Symmetry cover
a shockingly perfect style for a WAD cover. i'm so glad i used the cubes, even if they couldn't be orange.
there's some versions of the art online where the sky is even more orange and it baffles me how i haven't seen any parallels like this before
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the Muse: The Resistance cover
this cover was never supposed to see the light of day! i meant it when i said i was grateful i didn't have to try to adapt this complex design... and yet, i tried anyway.
i did all the grid lines by hand, including the jagged/broken edge parts, shading each section, and then drawing every star.
the hardest part was getting the gradient on the back text to cooperate. photoshop's gradient settings are surprisingly limited
gotta shout out @amazingphil for being the reason i knew what this cover looked like--it's the only muse album i knew the art of before embarking on this quest!
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obligatory sob story:
i've been extremely and suddenly ill for 6 months. it is difficult to function moment to moment, but especially in doing little things just for me. this is the first and only art project i've been able to feel inspired to not only work on, but to finish, and despite the pain and long hours, i enjoyed every minute of it. thank you, dan, for creating this space for me to explore, and thank you, everyone here, for being wonderful support during this time 💞
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zais-zafu · 4 months ago
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dearest reader of this diary entry,
I am done suffering in my illusions, I have figured out what living presently actually means, killed my ego, understood the true meaning of manifesting, & stopped worrying about others.
let me explain...
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PHASE I: TRIGGER
a while ago I went through something that triggered me A LOT. I don't remember exactly what it was, that's just how insignificant 3d circumstances are but back then I am sure it meant a lot as I was so triggered, angry and frustrated. then I decided to meditate, so I opened a 369 hz pure tone and I just lied down, relaxed, and focused on.. nothing.
that experience has been so simple, yet so profound. I don't feel like the same person before that. when I woke up, the reality I was in didn't feel the same either. everything moved different and felt different. and I was no exception.
I have always prided myself on being an optimist, and yeah I have always been one; however, I have only been the hopeful optimist.
whearas before my optimism has been born out of hope for better, now my optimism is not out of a need but comes from pure love and acceptance for the now cos ik for a fact that I have myself, god, and everything I would ever need to be happy.
I really feel no need to try any more, I just go for what I want, that's it. and that's why I have been very connected to my creative endeavours these past few days. whether being through being active here and on YT or through drawing and writing in my free time, I love creating and I am so glad I realised that instead of indulgence in the material world.
PHASE II: KNOWLEDGE
ever since that incident, I feel like I have started to understand what life is truly about. life is not about desiring and chasing after a goal, it's not about trying so hard, it is not about waiting for better, it is about living it now. becoming okay with what's happening now, not forcing a certain outcome but letting life take its course.
it might sound weird to say that as an loa girlie, but srsly, this is what manifesting is really about. it is about knowing, not desiring. it is about rising above the need for your desires to materialise. ik for a fact that I manifested the perfect life for myself so why would I desire more? doesn't make sense at all.
at first, I approached manifesting from a place of trying and systemised it the way I did with every goal I had in life, "affirm X times a day," "visualise every night," "do X rampages a week." I was too dependent on techniques, but now I understand that techniques are not here to help you manifest, cos it is all done anyway. techniques are here to remind you of the fact that you truly manifested it. it is here to calm you down and remind you of your power.
now, I only use techniques when it feels right, I am not forcing them esp. when my thoughts and feelings are already aligned to what I want. if I am already living as the version of me that has it, why would I do more? I don't need to do more, I just am.
and ofc now that I have changed, I have stopped being so attached to wtv idea I had of me or what other people have of me. I can be whomever I want & me separating myself from my ego helped me really see how I was stuck in narratives that didn't serve me and kept me stuck.
PHASE III: CHANGE
two weeks ago I created a some sort of character sheet of dream me, the next day I became her. I could have been like, "this is not gonna happen overnight" but why? the reason it can't happen is because i was against it & the only reason I would be against it was cos I am too attached to an idea of who I am. but thankfully, I am not any more.
I embrace the qualities I already liked about myself and as for what I didn't like about myself? I don't reject it, I am just simply not it any more. I don't need to force it, I just select the identity I like and that's it. before, my ego would not let me, cos selecting the dream me means forgiving those who I didn't seem deserve forgiveness or leave some of my "very important" past behind.
it also meant that I can't use my past or who I was as an excuse for how I acted, but when I used to always excuse myself, it somehow felt v punishing, like I have been punishing myself by staying this unfavorable version of me because I am not ready to let go of my history. it felt like I didn't trust me enough to change once and for all.
to become a blank slate was terrifying to my ego. but I am not my ego. I and you both know that. my ego can be scared and I will reassure her a million times over if that's what it takes, but I am not folding. just like a parent who knows what's best for their child. even if the child screams in retaliation, the adult comforts them but doesn't bend the rules cos they know what's best for their child.
PHASE IV: TRUTH
I have been neglecting and neglected by myself every time I chose my ego's or other people's comfort. but I am not doing that again any more.
we all understand that others are just mirrors of what we think of them so that's why I couldn't care less about how I come across any more. others can judge but I have decided that none will. others will see me change over and over and will welcome any change I take on, every single time, I have decided that.
since these realisations, life felt sm simpler to live, the pressure of being a certain person in front of others has subsided. the need to stay my "consistent" (more so predictable) self is non-existent. and the need for life to go a certain way has also faded. a lot of beautiful things came about after this change and I am so glad to live every day with the ability to choose my own joy and peace, not waiting for someone or something to make me happy.
rn I am grateful to have realised all of that, to have transcended this physical plane and to have chosen to live as a soul who chose to live this human life. souls full of love and light, that is our true essence.
✦°·
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telvess · 1 year ago
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Record of Ragnarok Poseidon (relationship headcanons) 🔞
My first attempt in writing anything in… eternity. I’m not a native English speaker but trying to improve myself, sorry for all mistakes I've made. I didn’t write any major spoilers but used knowledge from manga. Also + still no clue how tumblr works.
Poseidon is such a adorable idiot.
SFW Not gonna lie, to catch his eye (not to mention eye-to-eye contact) there will be needed someone really specific. Someone similar to him in general, but unique in details. I think Poseidon is really good observant. Just because he’s indifferent to others, it doesn’t mean he doesn’t pay attention. He would notice nuances in behaviour, manners and gestures. His future s/o must be elegant, self-contained and pride. Maybe not in the haughty way but undoubtedly confident in her position as a goddess. Definitely not ‘damsel in distress’ type, she has to have guts to rule her sphere, protect her opinion and status. No other god or goddess shall stick their nose in her business. Unless they’re ready for harsh words or worse. In summary: a less extreme version of Poseidon. On the other hand, I don't think these qualities are enough to draw Poseidon's interest. It’s good base but potential s/o must get under his skin. Intentionally or no, she has to do or say something that would get his attention, and annoy him… He wasn't seeking her subtle chitchat, nor did he want to end up witnessing her fight! Congratulations, miss! You accidentally annoyed Tyrant of the Seas! Choose a burial place. Jokes aside, the best thing s/o can do here is ignore Poseidon. He thinks he wants that, but hey! Looks like he played himself. Now s/o annoys him even more and he cannot understand why. Such a useless bottom feeder and he can’t get over her?
She was like a sea: capricious and unpredictable in nature, always remained resistant to the expectations of others. But sea bend to his will like tamed puppy. He stamp his foot and it humbly part before him. That’s what he couldn’t stand - how little control he had over her, how unbearably free this woman was compared to other gods who ran away in terror as soon as he merely frowned.
Poseidon would catch himself thinking about her in the least expected moments. He used to almost never leave his realm, now suddenly is more present in social life. Still doesn’t care much, usually just staying in loneliness that nobody dare to disturb and observing from distant object of his contempt. As if nothing had changed, yet it did. Probably the only people that would notice he’s different will be Hermes and Hades. When first one won’t act on it nor share his observations, the eldest brother definitely won’t resist to make some ambiguous comments.
— Well that’s unusual of you, dear brother — said Hades. He toyed with his glass of wine, watching carefully Poseidon, who looked as unconcerned as ever. However he honoured him with one short glance. Hades couldn’t stop the corners of his lips to lift up. Did his little brother seem… disturbed? Or was that just his imagination? If Hades could pick one thing out of everything known in the universe that was unshakable and untouched by time or any other matter Poseidon would be his choice. Unaffected stability that did not leave any room for doubt and yet… something… someone push his stern brother out of his safe zone. Hades couldn’t wait to see what else the future may bring to them. He just hoped the intruder will be able to keep up with the challenge.
It will actually take a lot of time for Poseidon to realize that he isn’t annoyed with s/o but himself. Idea of being attached to another person is almost physically uncomfortable. It’s new and suspicious. The moment of understanding is the flash point of the relationship. At this point Poseidon would abandon distant admiration and start acting. He is still slightly annoyed but what’s more irritate him is the absent of that unbearable mouth of s/o. Poseidon would sit next to her or stand much closer at any events. At first she won't notice, but over time she'll start to connect the facts. She’s not dumb. Quiet neither. If she point it out, he may mock her.
— Why don't you just ask me to dance instead of deterring others? It would be a graceful way to start a relationship. Poseidon gave her almost cold look. — Such a audacity — his voice teetered on the verge of indifference - he thought so. She snorted. Her eyes weren’t darkened with anger, sparks of mirth still shone in them. Maybe even more after his refusal. Then she turned to face him and, with a subtle but promising smile, began to close the distance between them. Poseidon remained calm as she came within inches of him. He could feel the warm breath of hers, the smell of fresh air… — You know you want me — she whispered without hesitation. Something unbearably nagging was born in Poseidon’s belly. And that annoying heat under it… almost as someone wounded him. He frowned but didn’t move away. — How are you going to win me over if you can't stop fighting with yourself? — she asked innocently and didn't wait for an answer - just left him on the balcony.
Truth be told, Poseidon wasn’t made for small talks so s/o is doing most of the part and - to provoke a reaction - teasing him a bit. After a while, they both find the silence in their presence pleasant. Poseidon’s seduce tactic would mostly navigate around small gestures such as gifts. However he won’t send them like every normal suitor. If his s/o lives near the ocean or is often near it, she would probably find many beautiful pearls by chance. All of them in her favourites colours of course. Is she basking on the beach? The finest shells surround her. Is she admiring shoal of fish, coral reef or just the sound of the sea? There are no storms. And go on… It’s hard for Poseidon to overcome his pride and openly talk about his desire. When he finally bring himself to it, he’ll sound angry as if he’s doing something unworthy of him. Once s/o assures him that she wants to know more, Poseidon would relax.
— I want you to remind me every day how unbearable I am. How capricious… how impertinent… — she kissed his hand without taking her eyes off him and then put it to her cheek. Poseidon liked the cool touch of her skin — And still watch me with that quiet yet deep fascination.
Yeah, s/o has to make it official by saying out loud how she feels and Poseidon generously accept the offer…
NSFW For Poseidon to be in any relationship, especially romantic is almost impossible. He doesn’t get involved with others because, in his opinion, they’re not worth it. So nobody would force on him arranged marriage. He must be the one choosing that path. That’s why I don’t believe he would ever degenerating his s/o. The reason is simple - he would treat his wife with the same level of respect he treats Hades. Otherwise she wouldn’t be his wife; she cannot be someone less. I also don’t think he would praise her much, probably only when he’s in right mood she would hear complement here and there. His s/o must be good at reading his minimalistic facial expressions and body language. She may notice how his eyes widen in admiration, how he holds his breath for a moment or tightens the jaw muscles when feels really good. He’s not vocal; purrs or growls only on occasion. Poseidon has his moments where he shows desire for s/o. He won’t say it loud but won’t take his eyes off her as she undress in the evening. Yeah, she definitely gonna feel that burning look on her back. The only place where he become caring and warm is in bedroom, in private, far from servants’ eyes. These kind of moments are rare. Mostly because they both take their responsibilities seriously, which means they've been separated for a long time. Poseidon is calm, methodical lover. He’s detail-oriented - would leave no curve or plane untouched from his hands or tongue. He’ll enjoy every sound, shaking and blush s/o make, and act in accordance with the mentioned gestures. Poseidon prefers variants of missionary position to share eye contact though he wouldn’t say no to his s/o if she wants to ride him. In intimidating moment he enjoys challenging her to not close eyes when he thrusts deep into her. He starts with slow and almost annoyed pace that soon becomes raw and firm when they both chase their release. Afterward they usually lay in bed in silent, both satisfied and tired. Poseidon won’t say it loud but he really likes when his wife show him affections at that time. Slowly almost lazily massaging his chest, touching his neck and jaw, putting small kisses on his ear or cheek. Her tender words soft him. Poseidon doesn’t entirely return the favour but when she does all this to him, he caresses her back, pretending to be indifferent.
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iamamythologicalcreature · 1 month ago
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2024 Round-Up and Review
2024, aka The Year I Discovered I Love Drawing Baz With Long Hair.
But also.
Honestly?
(Yeah, I'm going to be honest. Yeah, it's going to be a long post. Buuuut it's my blog, so here we go!)
This past year was rough. Really rough. In many ways as difficult as 2020, and in some ways, even harder than that. I lost my specialized medical care after 2023, and my health tanked in 2024. Medication changes, chronic illness/pain, and the hardest thing of all was... this idea I seemed to have that if I could just fake it enough, I could make it. Like I could deny my disability into non-existence. Pretend it away.
Instead, I ended up pushing myself past the breaking point, with the worst possible timing ever.
And THEN (when I desperately needed to stop and rest), I packed up my life and moved across a continent. (I hadn't moved since college. So I thought I'd move and it'd be done. That was wrong. Ahem. I'm still moving in...)
But the GOOD that happened last year came in the form of friendship. That's not just a line. My friends were my lifeline. To those friends who stuck it out with me even when things were far from easy, thank you. You are the most incredible people I know, and your friendship has given me reasons and opportunities to feel joy and hope where I might not otherwise have done.
Okay. So. The ROUND-UP is... *drum roll*... Under the cut!
At first I was a bit bummed to see I'd only finished 9 pieces of art during the entire year. But since I am being honest... I know I did my best, and so clearly the best I could do last year was nine pieces of art. So many of those pieces were attached to amazing projects, though! I got to do several collaborations with some truly amazing human beings, and I also got to run my very first fest for the fandom! So I'm calling it good.
Now, finally, the art links:
(I won't be including works in progress on this list, as I still hope to finish them at some point XD)
January: Oh my God, January. I didn't finish anything in January, but I worked on a lot.
February:
Tis better to give than to receive - This was my contribution to Erotic Grope Fest, and it was my first time doing anything NSFW. It's pretty tame, all things considered, but I think it still fit the mission. Also ended up posting a high-res version of this on AO3. Because. I mean. Come on. XD
March:
Three lost boys (found) - I started out as a beta reader for @mooncello's inspired take on Neverland, but by the time I received chapter 2 I was very nearly begging to be able to illustrate it. I'd had this particular image in my mind after reading the matching scene in chapter one, but had tried to suppress the inspiration. Silly me. I'm so glad I gave in. This is a favorite of mine.
April:
Keeping Neverland - (Technically posted on Tumblr in May, but on AO3 in April, so...) Illustrating @mooncello's writing again, and this one was a challenge! But one I wholeheartedly embraced. I wanted to echo Baz's journey as an artist with my illustrations, so where I used pencil sketching for the chapter one illustration, I went for a finished charcoal drawing, here. Digital charcoal, it turns out, can be just as difficult as the real deal. Slightly less messy, though. (I'm very proud of this finished piece.) Also where I continued my exploration of Baz's long hair. XD
May:
A rough sketch for a rough night - It feels a little off to be posting this sketch in my art round-up, considering the emotional inspiration, but truth be told I ended up liking this sketch quite a lot. I also learned a couple things, from both the events of that night (not my finest moment) and the drawing of the sketch (hey putting my feelings into art is a good idea). So I think ultimately this little sketch deserves to be included on this list.
June:
Teenage Dream - I posted this on Tumblr in June, for my birthday, but I actually did the art at the beginning of the year for the Valentine's Day exchange on the Carry On server. I rarely finish anything to this degree, and am immensely proud of it. That said, I ended up using it for so many things last year, I'd be okay to not look at it again for awhile. (I called it "Teenage Dream" because it made me think of a daydream Baz might have had as a teenager - now made real with Simon by his side. Cause I'm a sucker for their romance >.> )
Illustration from The Eternal Life of Baz Pitch - So I'm not sure how I got lucky enough to earn a special preview of @monbons's story, but I knew I couldn't read it in pieces. So she let me read the whole thing. It was very cool. I read it all at once I think? And when I was done I crashed Monica's DMs to yell at her about it. But then I drew this picture. (While I was chatting with her, even, and casually asking her about cherry blossoms so I could draw them the way she imagined them. It was very fun.) Now we're friends. XD (Check out the fic - now posted in entirety!)
July: Uh. Migraines. Just migraines. I had to pull back from the fandom a lot, and stopped participating in a lot of online activities. Boo.
August: Sketched concepts for CORB, and packed.
September: I moved over 4000 miles.
October: Everything I worked on in October ended up debuting in...
November:
Carry On Through the Ages! Okay, as stressed and sick as I was, I have no regrets about taking on COTTA. It was AMAZING. So much wonderful content! It was SO GOOD to contribute to the fandom, and to do that with history geeking? Dream come true. I also dipped into my previous area of expertise (picture manipulation) and did some cursed paintings to promote it. Mona Baz, Stormchaser Gothic, Mademoiselle Wellbelove, and Iconic Icon Simon.
A Prophesied Rivalry - Another dream come true was collaborating with @monbons for COTTA! I loved talking ideas with her, and she was so supportive when I hit road blocks, too. I love Ancient Egyptian art, and this was as much a love letter to that ancient art style as it was to my beloved Snowbaz. (I did a ridiculous amount of research to do this piece.) (And now I have Egyptian Baz and Simon in my new apartment. Extreme Bonus.)
Snow on Ice Illustration - Getting paired with @leithillustration for CORB was like winning the creative collaboration lottery. Not only did they grasp my concept from the get-go, but they've taken it in a creative and exciting direction. Also, we've become good friends, which is the very best possible outcome for a collaboration. (You should check out their story if you haven't already!)
(Snow-kitty also got very sick at the end of November, which halted a lot of my progress on some WIPs. It was scary for a bit, but I am so happy to say he has fully recovered.)
December:
Snowflake Exchange presents More Than a Footnote - I kind of love that I started the year illustrating one of @mooncello's stories, and ended it with an illustration from another! I was so excited to pull Heath's name from the proverbial hat for the exchange. I'd wanted to draw something from More Than a Footnote since the first time Heath told me about it. I completely love Dev and Niall at this point, so I hope to play with them some more in the future! (BTW Heath I think you're one of my muses hope that's okay XD)
SO. Yeah, the year was often a hard one, but a lot of good happened in spite of all the bad. The good was even more valuable for daring to happen in the midst of so much blah. (And boy howdy, did I get a lot of material to learn from.)
In 2025, I think I'm going to focus more on accepting my limits. Like, I can still work on improving my health and functionality, but I really need to try and determine when I need to stop. That has its own learning curve, but I have to start somewhere! I'm also working on vision therapy, which I'm doing on my own since I can't afford the out-of-pocket expense. Still... So far, so good. Fingers crossed!
Creatively, I think 2025 will be the year where I get to work on projects I started in 2023 and 2024, and I find that quite exciting because those are ideas I genuinely loved. I also hope to bring some other ideas I've had for a very long time to life. (Finally.) I hope, hope, hope! And hey, if I get to do more collabs? That would be awesome, too. (Carry On Through the Ages will be returning, as well!)
Thank you to these lovely people for tagging me in on this round-up, and for remembering me despite my frequent absence!
@emeryhall, @rimeswithpurple, @prettygoododds, @artsyunderstudy, @noblecorgi, @alexalexinii, @best--dress, @j-nipper-95, @roomwithanopenfire, @you-remind-me-of-the-babe, @imagineacoolusername, @mooncello, @whatevertheweather, @thewholelemon, @youarenevertooold, @monbons
And to everyone who is still tagging me on wipsday posts, other things, commented, any of that! Thank you. It means a lot to me. Hello's and How-Do's and general well-wishes to:
@drowninginships, @aristocratic-otter, @that-disabled-princess, @leithillustration, @bookish-bogwitch, @theimpossibledemon, @fiend-for-culture, @bazzybelle, @ic3-que3n, @blackberrysummerblog, @run-for-chamo-miles, @shrekgogurt, @confused-bi-queer, @hushed-chorus, @cutestkilla, @skeedelvee, @carryonsimoncarryonbaz, @wellbelesbian, @facewithoutheart, @ileadacharmedlife,, @raenestee, @supercutedinosaurs, @fatalfangirl, @palimpsessed, @martsonmars, @brilla-brilla-estrellita, @theearlgreymage
And anyone else who actually read my extremely long post. XD
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drinkyourvillainjuice · 7 months ago
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how to not let your autistic inner child win (or how to write an if) by the secretary
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[id: a student with glasses being pointed at and mocked by two students on screens, and two more offscreen with only their arms showing. the central bullied student looks sad, and everyone else is laughing. end id]
Ruhoh, is this another secretary essay? Well, yes it is! The gender politics one will eventually come around when I feel like it, but this one, as the title suggest, is about how to write an IF. And since I'm presuming most of you are on the spectrum (or on a spectrum), it gets a little tongue-in-cheek.
hehe
Anyways, if you have autism, you have eternal swag. It's just true! But having so much swag makes it a problem when writing, or doing any sort of project. This is something I've noticed from people who don't have evil autism. Those not afflicted by the rare autism version of evil autism (my autism) will often be really bad at just... doing things - despite having all the abilities to do so! I think it might be a adhd thing or something too. Anyways, I love helping people, (this is my evil autism), and I'd like to share some girl tips on how to kill your inner child :)
I think something I've noticed from people making any sort goals- online, real life, job, working, etc - is it is straight forward. ie: I want to graduate from high school, I want to make a video game, I want to journal everyday. These are all achievable using your abilities that you learn and gain through your life, and failure doesn't exempt you from trying again. Thing is, this specific thing I just described (straightforward goals) is something I think a lot of autistic people struggle with.
I deeply remember sitting down in the corner of my high school, looking like the hottest girl who played pokemon on her ds when someone who had +1% more autism than me told me that, one day, he was going to make the most cool pokemon game ever where you could date other characters and have babies and have your children go on adventure too. As a 14 year old, I thought to myself 'bitch, shut up' but also, 'this is so unrealistic, but he really believes it, uh'. And he did! And you know, I think that's okay. I think it's okay to believe that you can make things that you cannot do at the moment - I mean that's just how life it. We didn't go on the Moon thinking we couldn't
But... the guy didnt know how to code, or how to make games, or how to program, or how to develop stories, or how to make art, etc etc etc. He didn't know these things, but he wanted to make these things. And I see this to a certain degree quite a bit when it comes to creation. I want to say: it's a very important of the process but simply one part.
I think being able to imagine what you could do if you have all the resources in the world, all the time, and all the help is important - but it is even more important to look within and go 'alright with all this in mind - what can I do?'
And if you're in the field of IF, well, what can you do? Coding, storytelling, character design, plotting arcs, etc. I think the skills can be learned by anybody (sidenote incoming)
If anybody ever fucking says that art is innate, they're fucking lying. It's a skill you grind out. You work it out. You work even if you feel not creative. You write words even if they don't come to you naturally. You draw even if the images can't be conjured. You work you work you work and you make something. You cannot always make art when feeling creative because you aren't always creative. you must be willing to die for your art, yes, but you must also be willing to create without any creative sparks! If you want to be an artist, you better work bitch.
(sidenote ending) and with that in mind, you need to develop restraints onto yourself. In IF, it's actually to create restraints, and here are some I suggest for all of my fellow autists who might struggle with them. I love you guys, truly, anyways. here they are:
restrain characters.
Make three characters + a main character. Write a couple of scenes with them. Is that your maximum? Is that too much? Go up and down until you find the right amount. You can add more character when your writing is better. Stick to a minimum per scene. If you have ideas for 30 characters, you can easily melt them into 10. Seriously. Put the heat on maximum and start creating new fun dolls to play with.
2. restrain scenes
You cannot write 500 per interaction. This is a bad idea because a) you might do the thing where you run out of creativity which you need to learn to do without but it is hard and b) interactions are time limited and time sensitive. not everybody will go through them. if you have a 30k update, but most people will only see 1k... are you really writing a game for them or for yourself? I made my wife do this format:
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youll gain the ability to gauge if a scene is important or not eventually, I'm sure.
3. restrain area
I recommend writing like a murder novelist. You have a closed circle, and the player cannot leave it. they can only be within that space. That space that exists within that specific story is the only thing they have access to. it can be a school, a city, a bedroom - but its limited. you create setpieces that players interact with. some set pieces are the same with just a different coat of paint on.
anyways, i believe in dreaming big, but i also believe that we have little time on our hands to create. when wanting to make something, restraint yourself. its always way more fun to find ways to break out of our bonds then just roaming free, right? I mean... maybe not. I'm not your mother, you know.
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mysteryanimator · 7 months ago
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Here ye here ye, another breaking down processes post from yours truly!
For this animation, my plan was to make something I'm proud of AND also something to force me to take my time since with all previous animation works they were all rushed. I normally tend to speed through work as someone whose illustrations are painterly and I like to keep them rough. Also lets be totally honest my other plan for this animation was to animate Mizrox being so sickeningly sweet.
Fun fact, this animation was going to be longer. I had tried to plan out Olrox climbing on top of Mizrak during the kiss to lay on his chest. There was an attempt trying to rough that out and several ref videos It was scrapped because for the life of me I could not figure it out. Also hypothetically if I was going to keep it, I would cut to another angle (perhaps Mizrak's face close up) and then cut to another angle that would make it easier to see that climbing over the top. OR, consider Olrox already sleeping on his chest (im just rambling now but this is basically 'if you were able to do this again' section).
I wish I actually went through a more proper tie-down process because the jump from going from my rough straight to clean was rough (badum tsk) for the first few seconds. Defintely learnt my lesson ALSO Olrox is surprisingly really fun to draw from behind.
I challenged myself to see if I could get the idea of "bigger movements, less in-betweens, smaller/slower movements, more in-betweens." Though the effect of Olrox rubbing his face against his arm may be a little too jarring and I steered quite a bit away from my rough and self-reference video in hopes of making the face rubbing more apparent because I thought the character acting was too subtle and wanted a contrast to the other half of the scene. I reconfigured my CSP animation workspace for this too so it definitely made the process less tedious when cleaning up the animation.
(Which by the way I do record a lot of self-references depending on the section! For things I can't do/uncomfortable doing, I'll end up looking up videos. It's the easiest for me to catch subtle things in body language and also get a feels for the motion.)
Also I'm really satisfied with Olrox's anticipation before his smooch and the shoulder roll at the end even though technically the arc doesn't complete itself. MIZRAK THOUGH, when cleaning up I realised my rough wouldn't make sense because he's already looking at him so there's no need for a turn, and then the lack of a shoulder movement felt jarring, so all of that was done without any thought, wish I did think about it more though.
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Now compositing was a monster in its own right and basically me jumping back and forth between turning on and off different layers, but here are all the new things I did; I duplicated and blurred the lines of the lineart, beveled the shadows so it was lighter on the inside, and added a rim of blur so the focus drew towards the couple. Also will absolutely admit that my fanboy ass went "... be crazy and try to mimic the show." The final did not go that route because I thought it was more important to emphasize the mood/atmosphere (Also Olrox is intentionally stylized differently because i wanted him to be softer here and I had to give him eye highlights for plot HELP). THOUGH to say I did not try to mimic the style, the #2 lighting test was my 'attempt' LOL 😭 I can never consume media normally.
Here are the lighting tests I went through. I definitely knew I wanted to go with a morning vibe, though I tested out a night ver for fun and did some edge lighting which led to mixing both version #2 and #3 to make #4.
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Fun fact, I almost went with #2 due to fear of getting too heavy-handed with compositing and therefore losing the animation (even though I really liked #4 at the time). Thanks to a friend, they also shared the sentiment of liking #4, though pointed out it felt like midday and encouraged me to make the colours warmer and deepen the shadows. It is a really tough balance but I think for a softer scene like this, the more additional layers of comp worked out in the end.
The edge light was a last minute thing because someone told me to add sound and to have light stream in. Also at this point I deadass forgot that you know, Olrox, is a vampire, but hey rule of cute overrules. We can pretend its light not from the sun LOL
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Also yay I got to show off my own style a tad, I love paintingggg. It's not as completely fully rendered coz I knew that it would get covered up but I still made sure it was quite clean regardless. I didn't realise how much of it would be covered up even though I did make sure they would fit/make sense for bg LOL
Now we are done!
If you've gotten this far thank you! There's gonna be less frequency of these animations due to the semester starting back up soon and I don't get many opportunities to actually 2D animate (despite it being an animation degree RAH). Also I remembering cringing and laughing a lot when I immediately started putting colour down going "oh i can see the end of the horizon, i have too much power as an artist, people will see this i cant let them see me be crazy"
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[Here's some memes I drew over while my friend was reviewing my work]
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seeminglydark · 7 months ago
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tips for a broke punk trying to make diy patches like your “Useless Patch” patch!
So the current Useless patch I have at cons is hand screenprinted by me, but screenprinting does have an initial cost and i think not the best option for a broke punk who is looking to just make a couple of patches. There are so many ways to make patches, but heres what I did when i first started. Get some good 'ol wax paper you can get at the grocery store. and some cheapo acrylic paint, any kind will do, those little bottles you can get anywhere, and one of those spongy brushes. if you are too broke for spongy brush, (they are cheaper at the hardware store than the craft store often time btw) you can use a regular dish sponge or even a folded napkin, you just wanna be able to dab the paint.
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get a piece of paper and draw your design on it, you wanna be careful with letters that have enclose spaces like O's and R's, i actually suggest if youre using this method the easiest 'font' to use is the basic punk stencil, which is actually literally just a grade school stencil. you dont need to buy a set, you can look at a reference and draw it or print it out if you have access to a printer and paper (library might help if you dont!) these are the letter type im talking about. Sorry for all these shitty google images lmao. ANYWAY.
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grab a razor or an xacto knife and cut the letters out of your wax paper, wax side down, be careful obviously, helps to put a flat piece of cardboard underneath and you can tape it down to keep it in place if you want. once you have your design all cut out you can place it on your piece of fabric. with the wax side down on the piece you plan to paint, run the iron over it. itll stick! neat! now you can grab your paint and use some method (i really like the dab with a sponge brush, dish sponge or papertowel method myself) and paint in your stenciled letters. dont let it dry between coats, layer it up till its a nice solid white or whatever color youre using, let it get slightly tacky but not dry and peel your wax paper off. the design should now be painted on your fabric! hurray! let it dry and the next day, press your iron over it to heat set it and voila! diy cheapo patch. its not going to be perfect, there will be bleeding in your edges, if that bothers you, you can fix it with black (or whatever color your fabric is) paint. either way doesnt matter, punk can be messy. I've made lots of patches this way, heres a pic of the recent ones, the Punks Respect Pronoun patch is the one ive done most with this method, it has the stencil letters i was talking about so it stays in one piece without me having to piece it together. for the record i am totally fine with people making Useless Patch, and if someone does, I'd love to see it! And obligatory shop shill, i will have my own versions of both these patches in my store soon when I get some time! I'm sorry I dont have pics for the process, next time I do it, ill take some and post them <3
Thanks for the Q!
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yallthemwitches · 17 days ago
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Chapter 6: Sixth Year
“Do you trust me?” It has to be the weed, there is no other possible explanation for it. Some flirty, suggestive version of her takes over and suddenly she is crawling towards him, the joint wedged between her lips. Again, there’s that look on his face, but this time it stays.
Read on AO3 Or under the Cut!
That summer, the letters start—though calling them letters would be a bit hyperbolic. 
The first arrives on her sill a week after holiday begins: a surprisingly accurate drawing of an airplane with a red haired girl looking out the window. Flying beside her is what she can only assume is supposed to be him—a bespectacled boy on a broom with scribble for hair and a smile that touches either side of his face. There is no note, but there is a caption: ' Hoping these holidays ‘soar’ by.' 
It takes her an entire day to decide to write back, then another to think of a response: a very crude interpretation of a beater’s bat smashing into the top of her head. The caption reads: Beating myself with boredom. 
It opens the floodgates so to speak and the letters begin to come almost daily.
“What are you doing?” Petunia spits, leering up behind the newspaper.
Lily looks up. In her lap, a parchment lays open with a drawing of a bucket with words leaking onto a paper. In the corner, a doodle James cries: ‘Pouring over this bloody homework (take me out of my misery).’ 
“What d’you mean?” 
“You’ve been reading those stupid freak scrolls and smiling to yourself like a complete nut. It’s exhausting to watch.”
Lily takes a gulp of tea to hide her blush. Cartoon James stares up at her.
“If it exhausts you, go back to bed.” 
They all follow the same formula: a drawing, a caption; no pressure. Sending silly doodles was easy because it didn’t involve being around each other— didn’t involve feelings, but as September loomed closer, she wished he would offer her at least something to know where they stood.
A sort of answer arrives late August: a drawing of a bucket full of flobberworms that writhe like a single mass. A human hand holds two in the foreground, one with square lenses and signature scribbled hair and another sporting red fridge. In his unmistakable scrawl the caption reads: I’ll always pick you! 
She doesn’t know what to make of it, but she catches herself keeping it in her pocket for the rest of the summer.
It’s then she realizes she has a problem—A big one. And it makes finding him in her usual spot at the welcome feast that much more difficult.
“Er, what are you doing?”
He’d gotten tanner over the summer, more lean. It definitely doesn’t make it hard to focus.
“Uh, sitting?” James cocks his head to the side. Meanwhile, the flobberworm note burns a hole in her pocket. 
Don’t expect anything. Be cool.  
“You usually sit over there.”
“Oh? I didn’t realize you were keeping track..”
She sighs. “Of course I’m not but—-”
“Godric Evans,” Sirius exclaims, pointing his fork in her direction,“Friends sit with friends. Do we need to spell it out for you?”
Friends.  
She looks back at James and his eyes twinkle, an arched eyebrow speaking for him: So, are we doing this, Evans? 
She takes a seat. “No, Black—I got it.” 
Yes, I guess we are. 
Turns out, it is infuriatingly easy to fall into their vortex. At first they make even less sense up close: Peter is too meek, Remus too self-deprecating, Sirius too haughty, and James…well, James is a universe of issues, each as frustrating as the next.
But nothing compares to her defining fault in the group, one that she hopes she hides a lot better than the rest of their flaws. She fancies him again—she fancies him bad. 
It’s something that haunts her at night: what she actually is to him. ‘Friends’ seemed like the perfect word; he had long given up asking her out for a laugh and everything she did with him she would just as naturally do with any other friend. So why then did her heart stutter the moment he entered the room? And why couldn’t she just bloody forget about it?
“You seem cozy with Potter and gang these days,” Mary croons on the first warm day of the season. Nearby, they watch James and Sirius splash knee deep in the lake, pulling up gillyweed and sticking it to each other’s backs. 
“We’re friends—he’s…mellowed out since last year,” Lily retorts. She hopes to sound convincing, but the words falter in her mouth at the sight of James, his white shirt sticky and see-through on his taut build.
“Remus is also your friend and you have never stared at him like that.”  
Of course it's true. She hates that it’s true.
“—And to be fair, Remus has also never stared at you like James does.”
Lily whips her head around, ignoring Mary’s snickers. Two wide, golden eyes catch hers and the world falls away, making him a shining beacon in a sea of nothingness.
“Care for a swim Evans?” He waves his arm and his muscles contract under the soaked sleeve. Immediately, the million snitches that have found permanent residence in her stomach explode with activity, her heart swelling to burst…
'I’ll always pick you!’ 
She knows him well enough to not get her hopes up—but it couldn’t hurt to dream.
* * * *
Mary questioning their relationship was to be expected, but the rest of the student body is another story. 
“Hey Lily, do you have a second?
It’s a shame she dropped divination early on because before Elodie even says anything, she knows what she is going to ask. 
“This is so bloody awkward but—are you and James Potter…like, dating?”
Even correctly predicting it doesn’t lessen the blow, the words making the room grow around her until she feels no bigger than a bug. 
“Uhm, no. He’s–”
The happiest bloody thing in my life. Infuriatingly, begrudgingly wonderful. All I think about. 
“—just a friend.”
Elodie lets out a sigh of relief and swishes her feathered blonde hair over her shoulder. Lily feels like she’s been hit with a blunt object.
“Oh, whew,” Elodie giggles. “It’s so embarrassing but I’ve nursed a crush on him for ages—I’m like a sad little puppy, you know…”
No, I don’t know. Definitely can’t relate. Not one bit. 
“—But it’s my last year and I figured if he was available…now or never I guess!”
Suffocating. She’s suffocating and there is nothing to save her. She doesn’t even have the ability to respond—just wishes someone would be kind and put her out of her misery.
Of course he notices. 
“Am I boring you, Evans?” James asks during their study period together. He gives her a playful kick under the table, wiggling his trainer against her foot. 
“No, I’m just—feeling off.”
All day, she’s tortured herself about the conversation with Elodie. It wasn’t a lie, James and her were just friends— but even Elodie had noticed they were close now…that they seemed romantic. 
She never thought the day would come where she would envy third year Lily. At least then they weren’t friends—weren’t spending all of their free hours interacting within each other’s orbit. Now, not only could she not have him, but she had to smile and continue on like nothing was going on—like every waking moment wasn’t plagued with the desire to recreate what the boggart had shown them in fourth and then some…
“Evans,” James whines, giving a frown. “Let me in—you look like you’re going to combust.”
She doesn’t know how it happens, but it slips out. 
“Were you invited to Slughorn’s party?” 
Something flashes across his face, something she doesn’t recognize. It leaves a soft blush behind. 
“I’ve been invited,” he says, articulating each syllable with care, “but it doesn’t mean I will grace him with my appearance…unless of course I have a reason to.”
So Elodie hasn’t asked.  
With a smug grin, he gives her another kick under the desk, his foot hooking around her ankle and giving it a playful tug. 
It’s just a friend thing. Nothing to overthink. Definitely not flirty or cute. 
“Why do you ask?”
A blush, hot and blotchy crawls up her neck. 
“I was just thinking that you should go,” she says, trying her best to keep her voice steady. Inside, a warning bell rings at full volume, red lights flash. 
“I mean— it’d mean a lot to him. You haven’t been back since second and obviously you’d be well received which would be great for your ego...”
A smile continues to grow on his lips. The foot that is hooked on her calf slides up and down.
“I think you and I both know my ego needs no extra support.”
She pretends to look at her notes but he continues to stare, waiting for a rebuttal. You rotten coward.Tuney’s right, you’re an absolute nutter. 
“Are you asking for you or are you asking for him,” James says finally, breaking the silence.
“I don’t understand—”
“I mean,” he interrupts, “Do you think I should go because Slughorn wants me to or because you want me to.”
It’s a trap. A great big James Potter Rube Goldberg machine of hellish proportions.
“I’m just saying it would be fun.”
He closes his book with a sharp thunk and rises, rounding to her side of the table. Just the proximity alone makes her body go into overdrive—alarms and flashing lights and soaring snitches and zapping electricity all making her wonder if this is it: death by stupid boy. 
He leans to grasp the edges of the desk and his chest presses against her back. When his breath tickles her ear she almost goes into cardiac arrest.
“Well, Evans. How about you think about your answer and then I’ll consider my response.”
Before she can even think to rebuttal— to maybe even gain the courage to turn her head a millimeter and slot her lips against his— he is gone.
Her hesitation makes the news that afternoon even harder to swallow. 
“Elodie asked James to Sluggy’s party. She’s got some guts asking him hours before, eh?”
Lily doesn’t respond, tears already stinging her eyes.
Yeah, guts you will never have. 
* * * * *
It’s childish really, but she asks to take the evening patrol.
“Didn’t you have Slughorn's thing?” asks Remus. He must have been trying to muster the courage to say something—they’d walked the last two floors in complete silence. 
“I wasn’t feeling social.”
What she means is she doesn’t feel like being social around them. By the end of dinner she had visualized it all like watching some horrific highlight reel:  Elodie curling her fingers through his hair while they talked to Slughorn’s guests…him making a joke and her grabbing his arm, laughing harder than she should…him pulling her close as they twirl on the dancefloor, refined and elegant as two purebloods should be…Unlike her, Elodie will have no hesitation when it’s time to give a kiss goodnight and James will reciprocate happily. Why wouldn’t he? They are the perfect match in every way. A perfect, pureblood, pretty match. 
Just thinking about it makes bile sting at the back of her throat. 
“Well get ready, Slug Club patrol nights are the worst.” When Remus’ voice pulls her back to reality she doesn’t even remember turning up towards the fourth floor.
“Why would they be any different from any other night?” 
He shakes his head.“Think about it: a party, free alcohol, a bunch of ladder climbing pricks—no offense—who are looking for a job or someone with a job to marry…there isn’t a broom closet in any direction from the common rooms that aren't full on Sluggy nights.”
Not just a sting of bile, but real bile threatening to make an appearance. A new, worse image appears—one she’s been staving off since Elodie first approached her: boggart James frantic and loving and hungry but no longer for her.  
“Remus—do you have the map?”
He stops in his tracks, pointing his lit wand in her direction. Since she has known about all their little secrets, she has never once asked to use them, but tonight she’s just desperate enough to inquire.
“James has it—why?” 
So I can torture myself with their names on top of each other in some broom cupboard. Can watch in real time as my ‘friend’ moves on when I clearly can’t. 
“No nevermind, it's dumb,” she says, waving a hand. “Just thought it would make it easier to bust students out of bed…that’s all.”
* * * * *
They don’t see James and Elodie but, as Remus’ predicted, they do find a good bit of couples out before their shift is up.
After, she waits in the common room, watching as the fire dies in the grate. Looking down in her lap the crumpled and torn parchment is smoothed open.
‘I’ll always pick you!’ 
She has half the mind to watch it burn. 
When she eventually slogs herself up to the dorm, she has even less luck forgetting things. She falls in and out of sleep and her dreams do her no favors— images contorting like a hellish metamorphosis: her mum’s medications on the table, flobberworms in a bucket, one of the many faceless boys from fifth writhing against her, a snake pouring from Severus’ mouth, James with his antlers now full grown, twisting wildly and closing in…
Before she is even fully aware of her choice, she is standing in front of the boys’ dorm, feeling more pathetic than she’s ever felt in her life.
And what do you plan to do if he isn’t there, hm? For all you know he decided to take Elodie to one of his many hiding places—Christ knows he had the map on him. What if she’s in there with him right now… 
The thought alone should stop her, but it doesn’t. She silences the creak on the door and peers in, half expecting to be greeted by a knowing, accusatory grin from any or all of the boys. Instead, all the bed curtains are pulled shut and silent.
She dodges the books and candy wrappers that line the floor towards the bed flanked with posters of Quidditch players hovering asleep on their brooms. Reaching the curtains she stalls and realization crawls up her spine. She’s in his room, at his bed, and worst of all, she is uninvited. 
“James—” she whispers, her voice cutting through the cold air. She gives a slight rattle to the curtain and waits. Nothing. 
I knew it. He’s out starting his perfect life with his perfect pureblood girlfriend. 
“Hey, James…”
Finding a break in the drapes she pulls back the fabric. A sigh of relief tumbles out— he’s alone and asleep on his back, one arm angled above his head as though in mid-throw. Light streams in and catches the outline of his chest, making her heart thrum.
She’d spent so long considering the implications of him not being there that it never occurred to her to think about what she would do if he was. Suddenly a whole new barrage of questions start pouring in, muddying her vision. 
What if he gets angry? What if he wakes up all the lads and they take the piss? What if he’s bloody fucking naked? 
She’s sure the sound of her breathing alone will wake up the entire room. 
“James…”
Taking in a gulp of air, she presses a hesitant finger into his side. His eyes flash open, pupils dilating as they focus on her face in the dark.
“Merlin— Lily?”
He shoots up in the bed, running a hand through his ruffled curls while the duvet slips down, flashing her a peek at the top of his pants. 
Oh thank Christ.  
“What’s wrong—did something happen? Why are you—”
She shushes him, not wanting to disturb the rest of the boys. She can feel her knuckles going white as she grips the bed curtain for support.
“Lily, are you ok? When Remus was here I just assumed—-”
“ Shhhh–” she hisses, taking a seat on the edge of the bed. He leans up and shoves the curtains closed, an act that should be harmless but she’s only ever imagined him doing it when something else follows after…
“There’s a silencing charm— they won’t wake up,” he says sharply. All the sleep has left his voice and his jaw clicks in what little light still reaches through the topmost part of the curtains. 
“Are you hurt? Merlin Evans, talk to me.”
But what is she supposed to say?
“It's–I’m fine, I promise,” she starts, voice shaky. “It was just…a shit night. I wanted some company, but now I see this is–well–crazy so I’ll just…”
She makes to get up, tears threatening to pour out but a hot hand folds over her forearm and holds her in place. When she meets his gaze, his eyes are soft but drip with concern. 
“No, wait Lils. Do you want to talk about it?
Lils. Only her mum has ever called her that and he knows it. She’s told him. 
His other hand reaches out of the curtain and comes back with his glasses and wand. Casting a quick lumos the space lights up and she can see his features more clearly: confusion and worry riddle his face but something else too—something she can’t quite place. 
“I had a bad dream,” she says, knowing how childish it sounds. “About my mum and…some other stuff. It just became a bit much, you know?”
Again, his eyes roam her face. He has every reason to be unconvinced—normal sane people don’t usually climb into their mate’s beds when they have a bad dream. But a smile pulls at his lips.
“Yeah, I get it,” he murmurs and the hand on her forearm gives a light, reassuring squeeze. 
“What do you need? You want to go get some food? A little distraction? I can get the lads up in seconds and we can–”
“No—thanks,” she stammers, a blush billowing on her cheeks. “Honestly, I don’t know what I want. I just—”
Wanted to see you. Wanted to make sure you weren’t still with Elodie. Wanted to prove to myself how much of a horrid, cowardly person I am.  
“Didn’t want to be alone,” he finishes for her, giving a doting smile. It fills her with warmth.
“So, again, how can I help? You say the word and I’ll do it—you know I’m good for it.”
Yes, she does and that’s the problem. That’s why the words come out before she can even have the common sense to stop. 
“Can I stay here?”
He blinks, mouth opening and shutting with a quick snap. The feeling she couldn’t place before now spreads like wildfire onto his face, still mysterious but objectively warm. A sprinkle of blush lines his cheeks.
“Uh—yeah. Yeah of course.”
The dorm beds are notoriously small but he makes enough room for her to crawl over and slide under the blankets.Immediately, the weight of his arm drapes loose over her waist and the pressure feels good– like it’s protecting her from whatever might be lurking outside of the curtains. Settling in, she turns to press against his chest but he shuffles back, creating a small space between them.
“This alright?”
She looks up to see him peering back at her, a blush still lingering. She wiggles a bit closer, yearning to tuck herself into him and feel his skin on her back. A sharp intake of breath stops her. 
Maybe it is like third year all over again. Rejection slices right to her core. 
See? He doesn’t want you here–he’s just being kind. Tuney is right, you are a freak. A delusional, unlovable freak. 
Tears sting hot at her eyes and she blinks them away, afraid to let them fall and land on his skin. Minutes pass and she hears his breath slow, his fingers naturally curling up against her stomach in sleep. For a fleeting second she relishes the touch, but the damage is done. 
This is it. No more. He doesn’t want you—not the way you want him. If anything this just proves how disgusting you are…. 
She never gets to sleep, feeling his chest rise and fall and counting the seconds when she can peel his arm away to creep back out the way she came—hopefully like she was never there at all.
* * * * *
They don’t talk about it and to be honest, she isn’t quite sure he even remembers it. 
“You excited for the party tonight?” Marlene leans against Lily’s bed post, sporting a smug grin she knows doesn’t mean anything good. 
“You’re mistaken. The Quidditch Cup was last week—perhaps you don’t remember on account of being pissed all night.”
Marlene just gives a sharp laugh, flopping herself on the bed beside her. 
“Not pissed enough to shag Black.”
Lily gives her the side-eye. “Marls, that’s the definition of pissed behav—”
“ What I was saying–” Marlene interrupts with a cough, “ –is that the aforementioned Black and company are planning a little soirée for the end of the year tonight. I’m honestly shocked you don’t know seeing as you have buddied up to that lot.”
Maybe she would have known if she hadn’t been avoiding every one of them since the night of Slughorn’s party. 
“Ok—well, good for them I guess.”
Marlene, huffs like something is obvious which clearly isn’t.
“I am telling you this, because it might be a good time to try your luck with Aubrey—you know, the fit seventh year who gives you bedroom eyes all day.”
The image of James laying next to her flashes through her mind, shirtless and still. It sears like a hot knife into her chest. She already knows that if she had climbed into Bertram Aubrey’s bed, he would have probably done something about it.
But James didn’t.  
“Yeah, maybe I’ll see what his plans are,” Lily hears herself saying. 
Marlene just snorts.“ Honey—for you, his plans are wide open.”
*******
All night long, Sirius’ doles out shots, hovering them into the air so thirsty guests can reach up and pluck them like apples. Lily dodges them as they go past; Bertram’s on his third.
“To happy endings,” he says, holding up his glass with a wink. Like James, he is also all smiles but his feel predatory, like if she turns her back even for a second he will pounce. 
It’s fine. He’s fine. You’re fine. This is FINE. 
“You know, I’ve always been curious about what it’s like being with a muggleborn. I hear you lot get filthy.” 
It snaps her back real quick. 
“I’m going to pretend you didn’t just fucking say that,” she hisses, reeling backwards. Either he is drunk or dumb or both because he doesn’t take the hint. 
“Oh c’mon Lily, I was just—”
But she doesn’t wait for him to finish, storming off into a random direction.
“I’m going to the loo. Do not follow me.”
She fights through throngs of party goers until a voice rises out from the fray.
“Trouble in the Aubrey hellscape?”
Sirius gives her a knowing grin, cocking his head towards where she left Bertram to bother some other unsuspecting girl. Lily just lets out a grunt, grabbing at a shot from midair.
“Apparently, he expects me to pop his muggleborn cherry.”
“Yikes,” Sirius whistles, wrinkling his nose.
“Well—if you want a life raft, our ickle Prongsy ducked out to have some of his ‘big feelings’ somewhere else. You could be a doll and give him a shot for me?”
He holds out two shots that are deftly juggled between his fingers and she eyes them warily. 
“What d’you mean ‘big feelings?’”
Sirius eyebrow arches, smile turning lethal. 
“I think you know the answer to that, Evans. Even if you are incredibly thick sometimes.”
She knows it’s a trap–him and James have that particular talent in common–but she takes the shots anyways. She didn’t want to, but she had noticed that James was at the party alone, hardly talking to anyone other than his usual pack of mates. Every so often she would turn around and catch him staring back at her—harboring a soft, sad sort of smile that she knows all too well…
It’s that same smile that convinces her to become face to face with his dorm room door for the second time that week. 
This is a friend thing. Sirius sent you here—nothing weird. 
He lays stretched out in the middle of the room, hands crossed behind his head. In a sad attempt to make the stone floor more comfortable, his pillow and blanket lay next to him, clearly abandoned as soon as they touched the ground. Remus’ charmed record player turns out a melodic, heady tune that wafts faintly through the air, skipping every so often with a static jolt.
“Anyone alive in here?”
She approaches slowly, holding up the shots with her most convincing smile. He continues to stare at the ceiling, eyes unblinking. 
Look–even now he doesn’t want you here. 
But she forces herself to try anyway.
“Is this a flobberworm impression? Because if so you should be doing a bit more wiggling.”
She knows it will get him and it does—a small smile curves on his lips.
“You don’t want to see my flobberworm impression,” he murmurs. “The mucus alone takes ages to clean.”
Ah, there he is. 
She snorts and mutters disgusting under her breath and it rewards her with a bit more smile. Setting his shot next to his forehead, she takes a seat on the other side of the space and waits. It’s still new to her to see him like this—pensive and calm. It had jarred her last year when they were in the forest and even after a whole school years’ worth of getting to know him, it still seems odd—like looking at the underbelly of a glittering jewel. 
“Sirius told me you were having some big feelings—his words, not mine.”
“Sounds like him.”
“Do you want to talk about it?”
“Not really.”
It sends cold water down her spine. When did James ever not want to talk about something?
It’s worrisome, but what worries her most is that despite all the signs saying leave him alone, she still wants to be near him.
“Alright Potter, you win. If it gets you out of this state,” she gestures at his full form, “then I’ll do some mischief with you.”
At the very least, it gets his attention.
“I’m listening.”
She fishes into her pockets, pulling out a joint that she had been saving for emergencies. At the sight of it, James’ nose scrunches.
“A fag? No thanks, Evans. I’m watching my girlish figure.”
Lily snorts, giving his leg a soft kick. 
“No, you git. A joint—you know, Marijuana? Weed? That muggle stuff that makes you feel good?”
That same look from when she was in his bed skitters across his features, red blooming on his jaw. 
“How good are we talking?”
She straightens up, busying herself with pulling her wand out of her hair so as not to linger on the fact that the last time she was in this room with him, he had pushed her away.
“It’s not quite like smoking a fag. You have to hold it in a bit to really feel it.”
She uses her wand to light the end. When it sparks up, James’ face does too.
“Got to admit it, Evans. I’m pretty wary of the whole inhaling smoke bit but I like this side of you.”
It shouldn’t make her heart feel like it’s going to explode out of her chest. 
She takes a small hit to show him, holding the smoke in the back of her throat and feeling the cool, calm of the weed start to take hold. James watches intently, eyes sweeping across her face as though reading a particularly interesting novel. She knows she must be blushing, but as the weed sets in, she no longer cares.
“Here, you try,” she says, holding out the joint. 
He blinks at it, eyes drifting from the weed to her face, a blush forming under the rims of his glasses. When he finally takes it, he brings it to his lips and takes a big drag, immediately sputtering into coughs. 
“Fucking hell, Evans. This is disgusting.” 
She falls back from laughing, holding onto her stomach like it will burst. At first he looks bashful, but then a grin begins to grow, her joy infectious. 
“Here–,” She says after getting a hold of herself. Like some sort of tiny miracle, every self deprecating thought has quieted. No sirens, no chants of mudblood, no Petunia calling her a freak. Just her and James with no effort whatsoever. Completely limitless.
“Do you trust me?”
It has to be the weed, there is no other possible explanation for it. Some flirty, suggestive version of her takes over and suddenly she is crawling towards him, the joint wedged between her lips. Again, there’s that look on his face, but this time it stays.
“Let me help you. Open your mouth.”
She sits back on her heels, taking a long drag. Grabbing at the side of his cheek, his unruly curls tickle at the ends of her fingers as she pulls him closer to her, their bodies moving in slow motion. Hovering her mouth right above his, she exhales, his face becoming obscured in smoke. When it subsides, he reappears as though becoming boggart James—his eyes glassy and wide and hungry.  
He reaches out his hand and she expects him to grasp the joint, but instead his fingers curl around her wrist, thumb pressing against her pulse. 
“James, you alright?”
What the boggart showed them can’t even compare to how it actually happens. He tips her backwards, pressing his body against her even before her back meets the floor. It feels as though his hands are everywhere at once: twisting through her hair, cupping her face, caressing down her back. It feels so overwhelming and yet she wants more—more rabid and frantic than she has ever felt in her life. His mouth twists with hers, tongues drifting against lips and open mouth kisses finding sensitive spots all along her neck and collar.
“You are my dream, ” he breathes while his nose traces the side of her cheek. 
“You are…so lovely.”
Later, she will realize that she took the lead. Grabbing his chin, she guides his mouth back to hers, nipping at his lower lip. He makes a broken, whimpering gasp and it’s everything she’s ever wanted in a single sound. It feels as though the room could catch on fire and they still wouldn’t let go—years, years! worth of tension building up to this singular moment. 
Her legs part and he takes up the space, tugging on her thigh to give him more room to press deeper. The sensation is instant and they both let out a gasp, their hips rolling instinctively in ways that she’s only seen in muggle dance halls.
“Tell me what you want and I’ll do it,” he says against her neck. “Anything Lils— anything.” 
She pulls him back to crash their lips together and it all becomes one big blur, the urgency making every touch not enough, every sweep of his tongue too short, the feel of him against her still so far away. 
“Take off my skirt.”
He doesn’t hesitate, hands moving quickly to find the zipper. In return, she finds the front of his belt-–taking the pressure that pushes into her hip as confirmation that he is exactly on the same page— so hungry that it hurts…
“PRONGS! We’re out of drinks—get your arse down here and help me with another run.” 
Sirius’ voice breaks the seal and everything rushes back, hitting harder and stronger than ever. 
What are you doing? He rejected you! He went on a date with Elodie! All he has ever done is toy with you and leave you to pick up the pieces… 
But then why does it feel so good? Why would he keep trying again and again—offering her anything she wanted?
“No, no, no, no,” he hisses against her skin, clutching her to him like Sirius might barge in at any minute and physically rip her from him.
“PRONGS! What are you doing!” 
She tries to pull away and he lets her, his fingers sliding against the patch of skin where, if he had gotten any farther, would have grazed the band of her knickers. 
“This was a mistake. I should go—” she pants. It feels like she has just come to from an incredible sickness, her inner monologue screaming louder than she’s ever allowed. 
You stupid, pathetic idiot. You know what happens when you let him in. 
“No.”
He looks absolutely mad, his lips swollen and his hair pushed out from where her fingers had teased it.
“Just— please. Stay here. I’ll be right back.”
He’s going to use you…trick you like he always does…make you a cog in his little games… 
“James–” 
“Please, Please.” He isn’t asking, he’s begging. Putting a hand on her cheek, he pulls her back and she lets him, their foreheads pressing together. 
“I don’t know what those muggle drugs do but Merlin, if this is just some hallucination I don’t want it to end, so please, Lils. Stay here.”
It feels cruel for him to use her nickname now, of all times. 
Still, she can’t help but consider it: waiting for him to come back so they can climb into his bed again and let everything fall away until it is just them. She wants it so bad it hurts—wants to believe that a world like that exists: where they haven’t made these kinds of mistakes with each other over and over and over again…
He presses his lips into her forehead, then her nose, then her mouth, sliding his palms all the way down until they reach for her hands. 
“One second— I swear.” 
With great effort he picks himself up and bounds out of the room—and moments later she does too. They never found out back in third, but as she descends the stairs she wonders if her and Severus’ boggarts would have been the same: her in love with someone who would never work. 
Slipping into her four poster bed, she tries to picture his face when he enters back into the dorm and finds her gone. It’s a small, sad sort of smile that she knows better than she knows herself at this point. A smile she can’t seem to shake.
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